Roving reporter Simon Morris talks to music movers and shakers in this special report from the 1980s cult music rock show. Auckland is on the cusp of the club boom and live music is waning. A youthful club promoter Russ Le Roq (aka Russell Crowe) flies the flag for the kids, Colin Hogg is unimpressed and a fresh faced Graeme Humphreys (aka Graeme Hill) fronts the Able Tasmans. Meanwhile, local acts are in short supply in Wellington. The live scene is healthier but radio certainly isn’t. The Pelicans (with a young Nick Bollinger) and Strikemaster perform.
This documentary tells the story of the legendary Flying Nun music label up to its 21st birthday. The label became associated with the 'Dunedin Sound': a catch-all term for a sprawl of DIY, post-punk, warped, jangly guitar-pop. The Guardian: "[it's] as if being on the other side of the world meant the music was played upside down". Features interviews with founder Roger Shepherd and many key players, the spats and the glory. The label's influence on the US indie scene is noted, and Pavement's Stephen Malkmus covers The Verlaines' 'Death and the Maiden'.
This Able Tasmans single starts with a piano intro from Graeme Humphreys (aka Graeme Hill ) — the so-called baroque popsters really loved their keyboards. The clip goes on to showcase the instrumental prowess of a band who weren't afraid to throw horns, bagpipes, and strings into the mix. The first vocal doesn't arrive until almost two minutes in! Director Phillipa Anderton captures the energy of the playing by weaving the camera above and around the musicians. The clip's use of colour is also distinctive: most obviously in a set which is revealed to be yellow and deep blue.
Able Tasmans formed in 1984 (the name was a pun on Dutch explorer Abel Tasman). They released four albums and two EPs on Flying Nun, before splitting up in 1996. The band's primary songwriters were Peter Keen and Graeme Humphreys (who later found a second career on radio and TV, as Graeme Hill). The band's indie pop sound was defiantly adventurous, with keyboards and unexpected instruments often prominent. At one stage Able Tasman winningly described their sound as “Jethro Tull for young people”. In 2003 Keen and Humphreys reconvened for an album as a duo, The Overflow.
After time as a sports reporter for both radio and TVNZ, Ric Salizzo spent time as media liaison officer for the All Blacks, and formed his own production company on the back of light-hearted rugby tour documentaries The Good, the Bad and the Rugby, and Blood, Sweat and Touring. In 1996 he created and co-hosted the long-running sports entertainment show SportsCafe.