This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
The Great Depression — the biggest social upheaval ever faced by New Zealand — is the subject of this very well-received three part NZBC drama series. Based on an award-winning script by Michael Noonan, The Longest Winter focuses on the experiences of politicians, the middle class family of a jewellery shop owner, a boot maker and an unemployed workers’ group. It examines the inter-related forces that combined in the early 30s to plunge New Zealand into some of its darkest days — and left the nation and many of its citizens scarred for decades after.
New Zealand’s economy is in serious trouble in the first episode of this award-winning drama series about The Great Depression. An ailing Prime Minister and a weak government seem powerless in the face of a downward spiral caused by rising unemployment and falling export prices. Meanwhile, the plight of a boot maker seeking work while people are being laid off all around him, and a jeweller struggling to keep his business afloat and food on his family’s table bring home the human cost and social divisiveness being caused by the worsening crisis.
In this episode of the archive-compiled history series, Bernard Kearns focuses on the Roaring Twenties. Soldiers returning from the First World War struggle to tame the land as commodity prices fall. The Labour Party, with miners as its backbone, gains a foothold on the political scene, and the Ratana Church emerges as an alternative to more distant Māori leaders. In Dunedin, the New Zealand and South Seas International Exhibition proves a huge success and members of the Royal Family are popular visitors to our shores. But the Great Depression looms.
In this two-part Lookout documentary from 1983, critic Hamish Keith explores how New Zealanders have housed themselves over the 20th Century. This first part builds to 1935: it begins in Auckland War Memorial Museum, with Keith asking how Kiwis would represent themselves if they were curators in the future. He presents the state house as the paramount Kiwi icon, and examines the journey from Victorian slums and Queen Street sewers to villas, bungalows and suburbia; plus the impact on housing of cars, consumerism, influenza, war, depression, and new ideas in town planning.
The tagline runs: "The story of unemployment in New Zealand" and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, "as a new poverty-stricken underclass developed".
Instrumental track ‘White Rabbit’ made Peter Posa a household name in the 60s — the success of the two minute guitar solo led to US recordings and meetings with Frank Sinatra and Chet Atkins. In 2012 a best of compilation debuted atop the NZ album chart, and later became the year’s biggest selling release. This May 2015 Seven Sharp piece sees Hadyn Jones head to Waikato Hospital to interview “New Zealand’s greatest guitar player”. Jones discovers that a stroke appears to have ended the 74-year-old pensioner's guitar playing; but it has also liberated him from depression.
Actor Grant Tilly, who died in April 2012, displayed his gift for understated comedy in movies Middle Age Spread and Carry Me Back. But the versatile Tilly had done it all — from acclaimed theatre performances (often in Roger Hall plays) to screen roles that have taken in everything from adventure movies and landmark historical dramas (The Governor), to children's TV, sitcoms (Gliding On), and a host of voiceovers.
The late Margaret Thomson is arguably the first New Zealand woman to have directed films. Thomson spent much of her film career working in England, plus two years back in New Zealand at the National Film Unit. Her NFU short Railway Worker (1948) is regarded as a classic.
Tony Isaac played a major hand in creating some of the key TV dramas of 1970s Kiwi television. He produced New Zealand's first continuing television drama Pukemanu, co-created Close to Home, our first soap, and was one of the main forces behind The Governor, arguably the most ambitious TV drama yet made on New Zealand soil. Isaac passed away in May 1986.