Robert Wynn had already served in the Australian Navy before returning to New Zealand to join the army and fight what were called CTs, or Communist Terrorists, during the Malayan Emergency. Of the two years he spent in the country, he estimates he clocked up 18 months on patrol in the jungle. Aside from the enemy there were other concerns, including tigers and red ants. Robert saw action, but in this Memory of Service interview he doesn’t like to talk about that. Instead he focuses on his impressions of the country, and the unbreakable bonds forged with his fellow soldiers.
Vietnam veteran Thomas Brosnahan shares his time spent in the military in this Memories of Service Interview. He moved from the Territorial Forces to the army at 23 to join his two brothers, before heading off to the war in Southeast Asia. He would spend 20 years in military service across Malaysia, Singapore and Vietnam, including active duty in the capital, Saigon. As well as the Vietnam War itself, Brosnahan reflects on life after the war, particularly on the hostility vets faced from the public upon returning home, and the effects of agent orange on his former colleagues.
It’s sometimes called the forgotten war, but Korea lives bright in the mind of Maurice Gasson. Volunteering at 21, Gasson found himself on the freezing battlefields of Korea as part of an artillery battery. Poorly equipped, the Kiwi soldiers swapped bottles of whisky with their American counterparts for sleeping bags and blankets. Conditions improved, but the fighting intensified. Gasson took part in the three-day Battle of Kapyong, a key episode of the conflict. His stories are chilling and some of his experiences are reflected through his poetry.
'One Will Hear the Other’ offers all the trademarks of a Shihad classic — epic guitars, driving drums and a chorus tailor-made for joining in at one of the band’s legendary live shows. Directed by Australian Toby Angwin, and shot in Shihad’s then hometown of Melbourne, the video features performance footage of the group projected on to central city buildings, alongside a narrative implying this is the work of a group of guerilla street artists. The song was the lead single from 2008’s Beautiful Machine album, which debuted at number one on the New Zealand Top 40 chart.
Young, confident and good-looking, Michael (Matt Whelan from Go Girls) discovers he has only a short time to live. Rather than undergo pricey experimental cancer treatment, he steals the cash and absconds to Hong Kong and Europe, determined to enjoy the life that remains. But heedless OE hedonism is complicated when he meets Sylvie (Roxane Mesquida, star of A Ma Soeur) and goes cross-continental with her. Based on Steven Gannaway novel Seraphim Blues, Kirstin Marcon’s first feature combines down under filming with a guerilla-style winter shoot across Europe.
In the best traditions of the Beatles, U2 and Head Like a Hole, Die! Die! Die! takes to a rooftop in New York for this video made by London-based director and editor Rohan Thomas. They sing of an urban nightmare of burning roads and bridges, places to avoid and not being able to return home – but the song's title takes full responsibility. The clip was the result of a guerilla shoot with a generator in 2009 that had them moved on from a series of prospective locations until they happened on an unguarded rooftop – to the surprise of nearby office workers.
On October 15 2007, citing evidence of guerilla camps involving firearms training, police raided 60 houses across NZ, many of them in Ruatoki, near Whakatane. In production for almost as many years as the ensuing legal proceedings, this provocative documentary proposes that the so-called “anti-terrorism” raids were bungled, racist and needlessly terrifying to children. The film’s subtitle ‘Deep in the Forest’ is inspired by ex Red Squad second-in-command Ross Meurant, who argues that as police move into specialist units they grow increasingly paranoid.
Broadcaster Karyn Hay makes a "life enhancing" journey to 'Timor-Leste', not long after the withdrawal of UN Peacekeepers. Hay reads up on its war-riddled past and encounters mozzies and leaky boats, eats buffalo and snow-peas, and learns about the widows and guerilla fighters who resisted Indonesian occupation. She is transported beyond the troubles to wonder at ancient cave paintings, bathe in turquoise waters, and reflect on charming children and the hope that eco-tourism will offer a better life for a nation she senses is still "in shock".
Mike King presents the story of Gustavus Von Tempsky: swashbuckling colonial soldier of fortune, "flamboyant folk hero" and "our first pin up boy". The Prussian-born artist, self-promoter, romantic and adventurer, led an elite unit - the Forest Rangers - in the 1860s New Zealand Wars, garbed in trademark Garibaldi shirt, kilt and calvary sabre. His bush-fighting skill attracted respect from Māori foes, who named him "manu rau" (many birds); but also controversy after an infamous raid. He met his demise fighting guerilla leader Titokowaru.
The ‘OE’ is a Kiwi rite of passage, but for those travelling in a Kombi van, the trip can feel “like mixed flatting in a space the size of a ping-pong table” (Peter Calder). In Kombi Nation, Sal sets off to tour Europe with her older sister and friend; they’re joined by a dodgy male and a TV crew, recording the shenanigans. Shot guerilla style after workshopping with the young cast, Grant Lahood’s well-reviewed second feature anticipated the rise of observational ‘reality TV’, but its release was hindered by the collapse of production company Kahukura Films.