Directed by Tainui Stephens, this 1990 TVNZ series surveyed Māori contemporary music. This second episode looks at the showband era (1950s - 70s), when musicians mixed genres (electric guitar, rock’n’roll) with Māori culture, to make a unique contribution to Kiwi show business. Acts like The Howard Morrison Quartet, The Māori Volcanics, The Quin Tikis and The Māori Hi-Fives took songs from marae to international cabarets. Music historian Chris Bourke praised the series for marking the role of showbands in the whakapapa of entertainers from Billy T James to Rim D Paul.
Television talent show franchises like Got Talent and X Factor won huge global popularity in the first two decades of the 21st Century. In 2016 the format got an Aotearoa twist with this Māori Television series: each contestant’s routine had to include kapa haka. Hosted by Kimo Houltham, this first episode sees Norris Studios (jazz ballet), Mana Wairua (contemporary), and Sovreign (hip hop) compete to see who has "haka flair". Manu Wairua’s World War II-inspired act and Sovreign’s rākau (Māori weaponry) skills saw the judges send them to the quarter finals.
In Haka Māori myth is re-told through a series of stirring haka performances. Men stomp, invoke, and do pūkana (tongue out, eyes wide) amidst spitting mud and fire and ... in Paremoremo Prison and under a motorway. These scenes are intercut with archive imagery of post-pākehā Māori life, from first contact to Maori Battalion, urban drift and protest. The film is a tribute to the raw power, and art, of haka. Ultimately the Once Were Warriors-like message "is positive because of the fierce, irresistible pride of the performances." Peter Calder, (NZ Herald, 1989).
The concept behind 2016 Māori Television talent show The Stage: Haka Fusion was to combine traditional kapa haka with contemporay dance disciplines like hip hop and ballet. Contestants competed for a prize purse of $50,000. Produced in-house by Māori TV, Haka Fusion was fronted by Rotorua actor and teacher Kimo Houltham. The first series was won by World Champion hip hop dance crew Identity Dance Company. They were given a wild card lifeline into the finals by the four judges, after their initial routine failed to meet the show’s criteria: it didn’t feature enough kapa haka!
This seven-part documentary series chronicled the history of modern Māori music, from the turn of the century and Rotorua tourist concert parties, through to the showband era (Howard Morrison Quartet, Māori Volcanics, Māori Hi-Five) and reggae and hip hop. The programme ranged from ‘Ten Guitars’ to Tui Teka, from Guide Rangi doing poi to The Patea Māori Club, from opera singer Kiri Te Kanawa to Upper Hutt Posse, Ardijah, Herbs and Moana and the Moa Hunters. The acclaimed 1990 series was directed by Tainui Stephens (My Party Song, The New Zealand Wars).
By the 21st Century nearly 100,000 spectators and participants attended the popular annual schools showcase of Māori and Pacific Island dance. In 2016 Māori Television provided coverage of the Māori Stage. In 2017 there were 50 30-minute episodes, hosted by Sonny Ngatai (presenter of Hahana). They featured performances and interviews with rangatahi by Puawai Taiapa and social media names the Cougar Boys and Chardé Heremaia. The 2017 theme was 'Me Poipoi te Rangatiratanga i tona Ahurea – Nurturing Leadership Through Culture'.
He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.
Jock Phillips begins his journey through our Waitangi collection by recalling an awkward encounter with a security guard at the treaty grounds. Wandering 50 years between the first film in this collection and the last, Phillips explores changing attitudes to the Treaty. Discover everything from Mike King on the treaty trail, to trench warfare, waka-building and epic drama.
This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
Long-running series Marae DIY brings a tangata whenua twist to the home renovation format. Series creator Nevak Rogers describes the bilingual production as "the programme which helps marae knock out their 10 year plans in just four days". The drama of the building mahi is mixed with humour, whānau-spirit, tikanga (protocol) and history, and even makeovers for the nannies. For Marae DIY's 11th season in 2015, it shifted from Māori Television to TV3. In 2007 the 'Manutuke Marae' episode won a Qantas Award for Best Reality Show.