A special episode which asks ten queer people from all over New Zealand about issues affecting their lives. Subjects include health, looking at HIV and safe sex; issues around homophobia, especially focusing on opposition to the Civil Union Bill (passed after this programme was made); the importance of family and relationships; bringing up children within gay relationships; and attitudes to gay marriage (or civil unions). It winds up with comments on how much more tolerant New Zealand society has become since homosexual law reform, in 1986.
One of Them! was one of two dramas (alongside Niki Caro movie Memory and Desire) inspired by short stories collected in Peter Wells' 1991 book Dangerous Desires. It was made for TV One as a Montana Sunday drama. Set in Auckland, 1965, One of Them! follows Lemmy and Jamie, two teenage boys coming to terms with their sexuality. In the dark days before gay liberation, bullying and intimidation was rife, and while the boys flaunt their sissyness, their internalised homophobia wreaks havoc on their emotional lives — until they can admit to being "one of them".
Irreverent 90s youth show hosts Mikey Havoc and Jeremy ‘Newsboy’ Wells went on the road in this hit series. Down south they infamously outed Gore as the “gay capital of New Zealand”. While many viewers had a laugh at the Auckland duo’s lampooning of small town conservatism, some took the bait and were not amused by Newsboy's “gay man’s Gore” moniker, preferring to tout the town’s trout fishing, line-dancing and country music. The mischievous pair also visit Dunedin, Fox Glacier and Queenstown, where they 'promote' attractions and meet base jumper Chuck Berry.
The first part of this disturbing double documentary focuses on the man accused of molesting seven children in a Christchurch crèche in 1992. The programme is divided into seven chapters, in which Ellis talks about his accusation and arrest, the trial, his prison sentence, his two appeals and his eventual release in 2000. Ellis initially thought the accusation was so ridiculous that it would soon get sorted out. Instead, he was found guilty on 16 charges and convicted to 10 years imprisonment, despite the lack of any conclusive evidence.
Richard Turner made Squeeze to break the "conspiracy of silence" about homosexuality. A pioneering early portrait of Auckland's LGBT scene, Squeeze centres on the relationship between a young man (Paul Eady) and the confident executive (Robert Shannon) who romances him, then mentions he has a fiancée. The film was discussed in Parliament after Patricia Bartlett campaigned against the possibility it might get NZ Film Commission funding (it didn't). Kevin Thomas in The LA Times praised Squeeze's integrity and the "steadfast compassion with which it views its hero".
Biographer Michael King takes us through the life of pioneering writer Frank Sargeson: from puritanical parents to self-discovery in London, through to decades encouraging an emerging tide of New Zealand writers. The documentary’s most priceless moments are the tales told when four of those writers return to Sargeson’s fabled fibrolite bach, in Takapuna. Kevin Ireland calls it an “oasis, this marvellous place where books ruled supreme”. Sargeson’s purposefuly minimalistic writing style, the doco argues, helped NZ literature find its own voice.
On 1 July 2001, John Scott and his partner Greg Scrivener were killed in their home in Suva. John, from an old European-Fiji family was the Director-General of the Fiji Red Cross and worked as a go-between in the hostage crisis during the 2000 coup. The documentary traces the colourful story of the Scott family, the political crises that have marked Fiji's recent history, the killings and their aftermath, and the complex mix of tribal authority and democracy. It won best documentary and camera gongs at 2008 Qantas Film and Television Awards.
This is the second part of a Queer Nation special about Peter Ellis, who was accused of molesting children in a Christchurch crèche in 1992. It examines how Ellis's sexuality permeated the case and its coverage, and influenced public opinion. It also focuses on the gay community's lack of support, and proposes reasons. Interviewees include Lynley Hood, whose book A City Possessed argued the case had the hallmarks of a witch hunt, Gay NZ editor Jay Bennie, and lesbian psychologist Miriam Saphira, who helped set up the guidelines under which the children were interviewed.
The episode opens with a story about the Maxim Institute, an international think tank that has been linked to anti-gay fundamentalist groups. The main feature focuses on Marilyn Waring, an MP from 1975 until 84. She talks candidly about the personal cost of being in parliament — especially when she was outed as a lesbian. Waring also shares her opinions about the Civil Unions Bill and why she is opposed to it. The show finishes with a gay literature review and an interview with James Hadley, the incoming programme manager of Wellington's Bats Theatre.
Though Michael Heath helped create a run of pioneering examples of the Kiwi cinema of unease, his contributions to our culture defy easy categorisation. His scripts include many films which have made a comfortable home between genres: children’s vampire tale Moonrise/Grampire, nostalgic Ronald Hugh Morrieson chiller The Scarecrow, Heath’s work with director Tony Williams, and his acclaimed song-cycle A Small Life.