This collection celebrates all things equine on New Zealand screens. Since the early days of the colony, horses have been everything from nation builders (Cobb & Co) to national heroes (Phar Lap, Charisma) to companions (Black Beauty) to heartland icons. Whether work horse, war horse, wild horse, or show pony, horses have become a key part of this (Kiwi) way of life.
A continuation of the classic 70s UK TV series cherished by herds of horse-loving girls, the New Adventures follow Vicky Denning (Amber McWilliams) who has emigrated to the antipodes with her step-mother, where she is captivated by a mystic black horse. The co-production was set in New Zealand and features many Kiwi names in front of and behind the camera. This extract from the fourth episode sees Vicky striving to convince the postmasters (Bill Kerr and Ilona Rodgers) that she and Beauty can be posties; and she faces hostility from local kids (including a young Claire Chitham).
This edition of Great War Stories follows the experiences of Kiwi horses in World War I by recounting the story of Bess, the thoroughbred stead of Colonel CG Powles of the Wellington Mounted Rifles Regiment. The two would serve in the Middle East, and on the Western Front. Over 10,000 horses were sent to war; Bess was one of only four to return home. The clip finishes with an Anzac Day remembrance at Bess’s Rangitikei grave. The first series of seven short documentaries screened during TV3's primetime news in 2014; another series followed in 2015.
This NHNZ documentary looks at the fierce debate between animal lovers and ecologists over the wild horses of the Kaimanawa Ranges (with striking footage of them running free). At issue: a delicate tussock land ecosystem with rare native plants dating back thousands of years, increasingly at risk from horses recognised for their uniqueness — but whose numbers have grown tenfold in 15 years. Reducing the herd size is the favoured option. But only younger horses can be sold and, with older ones going to an abattoir, the plan is opposed by the horse lobby.
Hit animated comedy series bro'Town was born from the poly-saturated comedy of theatre group The Naked Samoans. This episode from the second series sees the boys taking on a cast-off racehorse called Honky, and with help (and hindrance) from Vale and Valea's gambling-addicted father, training him to race in the Morningside Cup. Valea faces up to his horse phobia to ride Honky on the big day. Meanwhile special subtitles help explain what this horse is really thinking.
Mitch (Keith Aberdein) moves to Tongariro National Park to help wrangle wild horses threatening ecology and traffic. He meets Sara, who shares an obsession for a fabled silver horse. They clash with rangers and deer recovery guns-for-hire (Bruno Lawrence is the black-clad villain) determined to eradicate the horses, and a showdown on the Desert Plateau ensues. In the notoriously fraught production a stable of Kiwi acting legends perform a melange of western and freedom-on-the-range genre turns (with the conservationists oddly set up as the bad guys).
Charlie Horse is a personal film diary by actor Martyn Sanderson showing the breaking-in and training of a young colt in rural Hawke's Bay. It was made when Sanderson was a vital part of the gang of Blerta creatives who based themselves at Waimarama Beach in the 1970s. Some stunning ‘wild horses' imagery is captured (shot by Sanderson and cinematographer Alun Bollinger) and narration is intriguingly provided from audience comments recorded at a local screening of the footage. It features music by Blerta members Bruno Lawrence, Chris Seresin and Patrick Bleakley.
The Dark Horse is the story of a Māori ex-speed chess champ who must “overcome prejudice and violence in the battle to save his struggling chess club, his family and ultimately, himself”. Genesis Potini has a bi-polar disorder; his nephew Mana (Boy’s James Rolleston) faces being pressed into a gang. A near unrecognisable Cliff Curtis won international acclaim as Potini. James Napier Robertson's acclaimed second feature was picked to opened the 2014 Auckland and Wellington Film Festival, and scored six Moa awards, including Best Picture, Director, Actor and Supporting Actor.
James Napier Robertson began his career as an actor in the teen shows Being Eve and The Tribe. Finding acting unfulfilling, he moved into writing and directing with the short film Foul Play, before forming a production company with business partner Tom Hern. Since then Napier Robertson has directed two features: I’m Not Harry Jenson and The Dark Horse.
Award-winning editor Peter Roberts runs post production company RPM Pictures, and has worked on a wide range of TV shows and films. His TV credits include Gloss, God, Sreenu and Me, Legend of the Seeker and Artsville. His film work includes The Dark Horse, Hip Hop-eration, The Most Fun You Can Have Dying and 50 Ways of Saying Fabulous.