After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.

Before X Factor there was New Faces, before Masterchef ... Graham Kerr, before Country Calendar there was ... er, Country Calendar. This collection picks the screen gems from the decade that gave Kiwi pop culture, "miniskirts, teenagers — and television." Peter Sinclair, Sandy Edmonds, Howard Morrison, and Ray Columbus star. Do your mod's nod and C'mon! 

Joan Daniel was excited to learn she was going overseas as a volunteer nurse in World War II — her mother less so. But it was the beginning of a three year adventure for Joan, as she recounts in this interview. First it took her to Egypt. The cases there were mainly related to ordinary illnesses, and there was time for sightseeing and fun too. Tragedy struck though, when three nurses were killed in a traffic accident. From the Middle East she was sent to Italy and a hospital close to Cassino. The patients now were casualties of war: the wounded, the shell-shocked and the dying. 

This postwar Weekly Review joins a welfare officer from the Crippled Children’s Society on her Wellington rounds: advising parents, chaperoning children to hospitals to undergo physical and speech therapy, and overseeing the supply of specialist footwear and splints. There’s also a Kiwi take on Heidi as a boy is offered a farm holiday, walking on crutches among the cows: “No care and treatment can substitute for the uplift of two weeks in the country.” Released in September 1948, the film was made by decorated war correspondent Stan Wemyss (grandfather of Russell Crowe).

This miniseries is built around the fortunes of the fictional Smith family during World War l. Directed by Peter Burger (Until Proven Innocent), the first episode is framed around a letter home by nurse Bea Smith (played by Westside's Esther Stephens). This 10 minute opening excerpt jumps from a war hospital in Egypt, back to trysts on the home front: an illicit romance at medical school, high times on Auckland's Grey Street, and a mysterious arrival at the family store. Funded by NZ On Air’s Platinum Fund, When We Go to War debuted on Anzac weekend in 2015. 

Made for the National Heart Foundation, this 1970 documentary shows “a rehabilitation programme for patients with coronary heart disease”, devised by Otago University Medical School and the NZ School of Physiotherapy. The film is framed around a doctor addressing a class of nursing students, and follows a “coronary club” of patients through PE rehab to being able to work, garden and play golf again. The film also imparts general health lessons to avoid heart disease (exercise, quit smoking, lose weight). It was made by the National Film Unit.

With its mix of quirky characters, lush scenery, and medical drama, Mercy Peak proved to be a winning formula. Produced by John Laing for South Pacific Pictures, and starring a host of NZ acting talent (Tim Balme, Jeffrey Thomas, Renato Bartolomei, et al), Mercy Peak follows the highs and lows of Dr Nicky Somerville (Sara Wiseman), who leaves the big city after discovering her partner’s infidelity. Taking up her new role at the hospital in the tiny town of Bassett, Nicky soon learns that life is full of complexities no matter the population.

“Real patients, real drama: real emergencies.” This 2007 series goes behind the scenes of the Emergency Department at Wellington Hospital, focusing on the medical staff who treat patients in most urgent need of treatment. In this opening episode, a zookeeper is mauled by a lion, an infant fights for his life, and a patient has chopped his basil too finely. Produced by Greenstone productions (The Zoo, Border Patrol) the 12-part series won the Best Observational Reality Award at the 2007 Qantas Television Awards. 

The work of artist John Reynolds takes in painting, photography, clothing, tattooing and landscaping. Shirley Horrocks frames this Artsville documentary as a series of questions. The answers reflect Reynold's exuberant personality, his strong family life, his sense of humour, and his adventurous art-making. Following a year in Reynolds' life, the film observes him as he makes and debuts a big painting (Cloud) at the 2006 Biennale of Sydney, works on large-scale outdoor works, redesigns a swanndri, and takes time out to appear in an episode of bro'Town.