This best of special culls history and highlights from 40 seasons of the longest running show on NZ television. Farming, forestry and fishing are all on the roster, but this edition is as much about observing people and the land. There is footage of high country musters, helicopter deer capture, floods and blizzards, as well as radio-controlled dogs and mice farmers. Longtime Country Calendar figures like John Gordon and Tony Trotter share their memories, and the show sets out to catch up again with some of the colourful New Zealanders that have featured on screen.

A wandering fortune teller parks her house truck in Hokitika on a mission to find the daughter she gave up for adoption. This is Magik. One of her first clients, a young happily married chemist's assistant, is seeking a solution to her infertility. This is Rose. Magik, too, is resolved to have another child, but without having to keep the father around. They embark on a joint odyssey for love, sex and pregnancy in writer/director Vanessa Alexander’s feature debut (made when she was 28). David Stratton in Variety praised the film’s "disarmingly sweet treatment".

This TVNZ show explores 90s grand designs, and the people who live in them. This episode from the fourth season sees Dave Cull quizzing husband and wife architect team Colin and Lindy Leuschke on the challenges of designing their Parnell home, and checks out a pimped up house trailer inspired by technology show Beyond 2000. Jude Dobson visits a Kiwiana classic: Fred and Myrtle Flutey's Bluff paua shell home; and Jim Hickey meets a Remuera reproduction antique importer. The opening titles are a showcase of computer graphics from the era.

In the late 1980s, Kiwi John Britten developed and built a revolutionary racing motorcycle. He pursued his dream all the way to Daytona International Speedway in Florida. In 1991 the underdog inventor came second against the biggest and richest manufacturers in the world. Britten: Backyard Visionary documents the maverick motorcycle designer as he and his crew rush to create an even better bike for the next Daytona. After arriving in Florida, another all-nighter is required to fix an untested vehicle with many major innovations. Costa Botes writes about the documentary here.

Filmmaker Tom Reilly went to Graham Gordon’s West Auckland wrecker’s yard to buy car parts. He soon found himself chronicling Gordon’s battle with the former Waitakere Council trying to clear his 100 acre property (nicknamed Gordonia) of car wrecks, and a small army of colourful but largely destitute men camping there. The result was a documentary capturing the gulf between Gordon’s cheerful but dogged non-conformity and a council determined to enforce its by-laws at all costs. The soundtrack is by guitar legend and occasional resident Billy TK Senior.

Godzone is “timber country” in this seventh slot in the New Zealand Now series. The NFU film looks at the world of the Kiwi bushman, as milling is providing the raw material for a postwar housing boom. The narrators provide a good keen guide to life in the remote and tiny (six houses) North Island town of Oraukura, where timber men fell giant native trees during the day and split kindling after work. For the men it’s a hard, but good life; for their wives it’s “pretty dull”. The Axemen’s Carnival in Taumarunui features OSH-unsanctioned woodchopping in socks. 

For this documentary director Gaylene Preston goes behind the scenes during the making of Geoff Murphy's Utu — his ambitious 'puha western' set during the 1870s land wars. “It’s like football innit? You set up the event and cover it…” says Murphy, as he prepares to shoot a battle scene. In this excerpt, the film’s insistence on cultural respect is conveyed: Merata Mita discusses the beauty of ta moko as star Anzac Wallace is transformed into Te Wheke in the makeup chair, and Martyn Sanderson reflects on having his head remade to be blown off: “What’s the time Mr Wolf?”.

Each episode of Going Going Gone introduces sellers as they head to auction, and then sees if buyers agree with their valuations when the items go under the hammer. This opening episode heads to Turners for a classic car auction, and follows a woman selling off her antique family furniture, as her heirlooms are assessed then presented for sale by auctioneer James Parkinson. The show ends with a teaser: the arrival of a bejewelled solid gold bull at Webb’s auction house. The long-running popular factual show was made by Greenstone Productions for TVNZ.