Director Alyx Duncan set out to make an experimental documentary about her childhood home. What eventually resulted was this acclaimed and award-winning "fictional essay", her first full length feature. Blurring the line between documentary and drama, she cast her conservationist father and Chinese born step-mother as characters partially based on themselves. As they journey from a small NZ island to a big Chinese city, Duncan examines their cross cultural relationship and explores nostalgia, childhood, dreams, environmentalism, globalisation and the meaning of home.
In the first episode of this reality series, groundwork is done to allow a 21st century family to live for 10 weeks as their ancestors did in 1900. The right house has been found — but the largely unmodernised Grey Lynn worker's cottage still needs an army of workers and consultants to muck in and turn it into a fully functioning home of the era. Meanwhile, the family search has produced the Feyens from Palmerston North. They appear ready for the challenge, but the realities of different standards of housework, hygiene, and clothing are slowly dawning.
Planning and preparing dinner becomes a sweaty ordeal in the second episode of reality show/'social experiment', Pioneer House. The family have moved into 2 Elgin St and are dealing with the hands-on chores involved in running a typical lower middle class household in 1900. The summer heat makes a trip to the shops clad in corsets and petticoats "like running a marathon", and 17 year old Anneke feels stifled by the restrictions placed on young women of the day. On the plus side, Michael appreciates the extra 'family time' this new/old life is giving him.
Open House revolved around the ups and downs of a drop-in house run by Tony Van Der Berg (Frank Whitten, later Outrageous Fortune's Grandpa Ted). In this first episode there's money trouble, court trouble, domestics, a pregnant teenager and an abandoned baby ... but there's community spirit aplenty as the house's whānau prepares for its first birthday celebration, complete with Scottish brass band and Samoan drums. Tony's first lines to a raving old man on Petone Beach? "Good onya mate!". Features author Emily Perkins as Tony's idealistic stepdaughter.
New Zealand television's first sitcom, Buck House centred on the antics of a group of university students sharing a flat in Wellington. In this sixth episode of the first series, Reg — played by a fast-talking, afro-headed Paul Holmes — gets embroiled in his flatmate Joe's latest illicit moneymaking scheme. 'Escorts Unlimited Ltd', as Joe (Tony Barry) tries to explain, is a surefire winner. That is, until Buck House's other flattie, the left-leaning Jo (Jacqui Dunn) invites a member of the local constabulary home for a cup of tea. The late night comedy was considered edgy when it debuted in 1974.
This Touchdown reality series puts a Kiwi family in the shoes of a family of 1852 English immigrants to Canterbury. The challenge for the Huttons is to see if they have the 'pioneer spirit' and can live with colonial clothing, housing and food for 10 weeks. From a gentler, non-competitive era of reality TV, this first episode sees the Owaka family of six (including baby Neil) experience six days of life on a settler ship – seasickness, food rations, restrictive clothing and bedding and chamber pots – while relaying their personal reflections to the camera.
This Vice documentary, made as part of its women's suffrage series, asks four past and present politicians — Golriz Ghahraman, Paula Bennett, Louisa Wall and former Prime Minister Helen Clark — about their experience of being a female MP in Aotearoa. It's a mixed picture. Clark celebrates the fact that issues facing half the population are now being addressed by a more equal Parliament, but Ghahraman, whose family fled Iran for New Zealand, regularly receives abusive communications. While each politician responds differently, they all share strong personal beliefs.
This 1946 film surveys New Zealand housing: from settler huts to Ernest Plischke’s modernist flats. Architect William Page bemoans sun-spurning Victorian slums with their unneeded “elaboration”. But more fretful than fretwork is a housing crisis that sees 26,000 families needing homes, with owning or renting out of reach of many. Michael Savage’s pioneering (but war-stalled) state housing scheme and newly-planned suburbs offer hope. Fed by wood and cement, NZ can build again with brio: “For a home is the basis of the simple things that make victory worthwhile.”
Debuting in 2003, this Touchdown series followed 2001's Pioneer House, a similar show from the same company. The new show transported an Otago family (policeman Ross, music teacher Dorothy, and their four kids) back to 1852 to recreate the challenges of life as English immigrants to New Zealand — including the clothing, housing and toiletries of settler life. It was executive produced by Julie Christie, who in a 2006 Listener interview mentioned the experience of pitching the show to NZ On Air as a key driver in deciding to make television that wasn’t reliant on public funding.
This 38 episode series revolved around the ups and downs of a community house run by Tony Van Der Berg (Frank Whitten). The series was devised by Liddy Holloway to meet a network call for an Eastenders-style drama that might tackle social issue storylines. It was the first drama series to put a Māori whānau (the Mitchells) at its centre. Despite being well-reviewed, it was perhaps the last gasp of Avalon-produced uncompromisingly local drama (satirised as the ‘Wellington style’), before TV production largely shifted to Auckland to face up to commercial pressures.