This NFU production covers the Shah of Iran’s first tour downunder, and uses the occasion to showcase New Zealand to international viewers: from scenery to topdressing, dental clinics and Wellington Girls’ College. The four day visit could be seen as a symbol of globalisation: NZ had been cut adrift by Britain and was looking for markets for its lamb, cheese and wool, and to secure oil supplies. The Shah needed food for his modernising petroleum exporting country. (The booming trade was to be curtailed by the 1979 Iranian Revolution, when the Shah was exiled.)
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
This film tells the story of a group of Afghani refugees rescued from the high seas off Australia by the freighter, Tampa. It follows the fate of several boys who were given the chance of a fresh start in New Zealand. Deftly blending observational sequences and historical footage, Pacific Solution examines the socio-politicial context of a growing worldwide refugee crisis. It was filmed in Afghanistan, Pakistan, Iran, Australia, Nauru and New Zealand. Pacific Solution was screened by TVNZ and at festivals internationally.
The late 60s saw globetrotting filmmaker Tony Williams shoot and edit two films for Iranian director Mahmoud Khosrowshahi. Here Williams chronicles an east meets west festival held in the Iranian city of Shiraz. Williams’ love affair with music and montage helps lend pace and life to a film whose sonic interests range from Iranian lutes and Indian oboes to Cathy Berberian, who is busy turning comic-strips into song. A glimpse of cosmopolitan Iran prior to the Iranian Revolution, it includes a rare interview with New Yorker classical music critic Andrew Porter.
Jeremy Wells brings Kenneth Cumberland-esque authority to this 'alternative' version of New Zealand history, made by the same team that produced Eating Media Lunch. TUHONZ plumbs the TV archives to poke fun at the pretence of the past, and present. Some excruciating hilarity is mined from artifacts of visitation to southern shores, from Bill Clinton to the Beatles. Muhammad Ali's fast food tastes down under are examined; the Dalai Lama finds bad karma in Christchurch; Charles and Diana visit in 1981; and of course, much mirth is had with all things ovine.
"You waste my time because you have not prepared for this interview. This interview frankly is a disgrace." This is an excerpt from Kim Hill's infamous 2003 interview with John Pilger, award-winning journalist, author and documentary-maker. Via satellite link from Sydney, Pilger discusses Middle East politics. He says what he would do about Saddam Hussein, and what he thinks about sanctions against Iraq. An angry Pilger says Hill is not asking informed questions. Hill pushes Pilger's book across the desk. Pilger implores Hill to: "Just read. Read. It takes time."
Hosted and created by comedians Pani and Pani, this Māori Television reality show aimed to "sort the bro’s from the boys" by testing 12 Polynesian men on their ability to tackle traditional warrior skills. The popular bros-meets-The Bachelor series produced shirtless calendars and an award-winning 'Lover Boy vs Lavalava Boy' advertising campaign. As of 2017, two seasons had been made by Tiki Lounge Productions. In the second, ex-league player and Code host Wairangi Koopu joined as Games Master. Stuff reviewer Pattie Pegler praised the show’s self-deprecating approach.
German-born Kiwi director Florian Habicht charts the journey of Britpop band Pulp to their 2012 Sheffield farewell concert. As well as singing along with the common people, and interviews with Jarvis Cocker and band (musing on everything from ageing to fishmongering), Habicht reunites with his Love Story co-writer and cinematographer to pay tribute to the band’s hometown and fans (including a rest home rendition of ‘Help the Aged’). The film premiered to strong reviews at US festival South by Southwest, where Variety found it “warmly human” and “artfully witty”.
Beyond the Edge tells the story of Sir Edmund Hillary and Sherpa Tenzing Norgay’s first ascent of the world’s highest mountain. Director Leanne Pooley (The Topp Twins: Untouchable Girls) mixes archival material with recreations of the UK-led 1953 Everest expedition. 3D cameras were used to put viewers in the crampons of the climbers, and evoke the challenges of endurance and danger faced as they ventured to the top of the world. Edge debuted at the 2013 Toronto Film Festival, where it was one of two runner-ups for the People’s Choice Documentary Award.
The first animated feature made and originated in New Zealand, 25 April tells the story of the country's involvement in an ill-fated mission to take a piece of Turkish coastline during World War I. 2700 Kiwis died and ‘ANZAC’ became a symbol of national identity. Director Leanne Pooley mines archive war diaries, and uses graphic novel style recreations from Flux Animation to evoke the the perspective of six participants. 25 April debuted at the 2015 Toronto Film Festival. Alongside the excerpt, a short making of video shows how facial motion capture fed into the film's distinctive look.