Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.
German-born Kiwi director Florian Habicht charts the journey of Britpop band Pulp to their 2012 Sheffield farewell concert. As well as singing along with the common people, and interviews with Jarvis Cocker and band (musing on everything from ageing to fishmongering), Habicht reunites with his Love Story co-writer and cinematographer to pay tribute to the band’s hometown and fans (including a rest home rendition of ‘Help the Aged’). The film premiered to strong reviews at US festival South by Southwest, where Variety found it “warmly human” and “artfully witty”.
Though most of his films have been documentaries, Florian Habicht's work has often blurred the boundaries between truth and fiction. His CV includes offbeat fairytale Woodenhead, two love letters to New Zealand's far north (Kaikohe Demolition, Land of the Long White Cloud), films on theatre legend Warwick Broadhead and Brit band Pulp, and his award-winning, genre-stretching romance Love Story.