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Collection

Kiwi Ingenuity

Curated by NZ On Screen team

'No 8 wire' Kiwi ingenuity is defined by problem solving from few resources (No 8 wire is fencing wire that can be adapted to many uses, an ability that was particularly handy for isolated NZ settlers). Embodied in heroes from Richard Pearse to PJ, Kiwi ingenuity is a quality dear to our national sense of self. It has been memorably celebrated, and sometimes satirised, on screen.

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From the Ocean to the Sky

Film, 1979 (Excerpts)

This Feltex Award-winning documentary follows the 1977 Indo-New Zealand Ganges expedition, where Sir Edmund Hillary and crew (including son Peter) attempt to jet-boat upriver from the mouth of the Ganges to its Himalayan heart. There, they aim to make a first ascent of Akash Parbat. The adventure pilgrimage was a proof of concept for the Kiwi-invented boat, and a return to action for Ed after mourning the death of his wife and daughter in a 1975 plane crash. The mission faces epic white water, altitude sickness and tigers, as they’re cheered on by throngs on the river’s banks.

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Good Times Two

Short Film, 1968 (Full Length)

This 1968 tourism promo follows two Aussie sheilas, Helen and Beverly, on a champagne-fuelled trip across the ditch. The tour kicks off with an obligatory sheep's 'baa', but offers some surprises alongside the scenic wonderland way, such as a detour to a Kaingaroa Forest mill and an Otago gold rush history lesson. Surprisingly trippy, Blow Up-inspired opening credits, some bold cutting and a jazzy score enliven the jaunt; a highlight is the lasses and hip local lads Monkee-ing around a Māori village and geothermal power station ... it's not PC, but it's definitely pop-tastic!

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Landmarks - A Land Apart

Television, 1981 (Full Length)

Presented by Kenneth Cumberland, Landmarks looked at New Zealand history through the landscape — and at man "coming to terms" with it. In this episode Aotearoa's "last, lonely, remote" geography is framed as a stimulus for ingenuity. A narrative of "triumph over the elements" finds its flagbearer in the DIY story of jetboat inventor Bill Hamilton. Cumberland is donnish but game in pursuit of telling landmarks: exposing seashells alongside the Napier-Taupō highway (700 metres above sea level) like a downunder Darwin, or in a gas mask on an erupting White Island.  

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Magic Kiwis - Sir Edmund Hillary

Television, 1989 (Full Length Episode)

This episode from the first season of the show celebrating Kiwi heroes pays tribute to the exemplar: Sir Edmund Hillary. The greatest "damned good adventures" of Sir Ed's career (up to then) are bagged: his first peak (Mt Ollivier — reclimbed with son Peter here), trans-Antarctic by tractor, up the Ganges by jet-boat, school and hospital building in Nepal; and of course Everest, whose ascent is recreated with commentary from Hillary. Graeme Dingle provides reflection and presenter Neil Roberts has the last word: "[Sir Ed:] our own bold, bloody-minded magic Kiwi".

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Journeys Across Latitude 45 South (part three) - Old Gold New Gold

Television, 1985 (Full Length Episode)

This third episode in presenter Peter Hayden’s journey across latitude 45 depicts the “new gold” of the booming tourist trade. On the Clutha River, archaeologists race ahead of the construction of a dam, digging for a soon-to-be-submerged mining past. The road to Skippers Canyon induces vertigo. Hayden rafts through the Oxenbridge brothers’ tunnelling feat, a failed project aimed at diverting the Shotover River in the hope of finding gold on the exposed bed. Alan Brady is filmed in his newly-established winery, the first in a region now famed for its wine.

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Kaleidoscope - Architectural Resorts

Television, 1987 (Full Length Episode)

For this 1987 Kaleidoscope report, architectural commentator Mark Wigley uses Kiwi resort towns as fuel for an essay on local architecture. He visits Waitangi, arguing that Aotearoa should have followed the "rich ornamental example" of the Whare Rūnanga, instead of the restraint of the Treaty House. He praises Paihia’s "cacophony of bad taste" motels. In part two, he compares Queenstown and Arrowtown, and admires a gold dredge and the Skyline gondola. Wigley, then starting his academic career in the United States, would become an internationally acclaimed architectural theorist.

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This Country - New Zealand

Television, 1965 (Full Length)

Made by the NZ Broadcasting Corporation in the mid 1960s, this half hour TV documentary sets out to summarise New Zealand. More than a promotional video, it takes a wider view, examining both the country’s points of pride and some of its troubles. In a brief appearance Barry Crump kills a pig, although the narration is quick to point out that the ‘good keen man’ image he epitomises is also a root of the country’s problem alcohol consumption. The result is patriotic, but certainly not uncritical. Writer Tony Isaac went on to make landmark bicultural dramas Pukemanu and The Governor

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A Great Day to Go

Short Film, 1971 (Full Length)

Made by the NFU for the NZ Water Safety Council this film enlists shock to provoke punters to consider water safety. On a summer’s day a fisherman, surfer and boatie all reckon it's “a great day for it”. But thoughtlessness results in tragedy. Directed by Hugh Macdonald (This is New Zealand), the disjunct between the jaunty song on the soundtrack and sunken bodies onscreen anticipates the graphic horror of the late 90s/early 00s road safety ads (sharing kinship with 1971 bush safety PSA Such a Stupid Way to Die). Grant Tilly cameos as a radio DJ.

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Red Deer

Television, 1977 (Full Length)

Introduced to New Zealand in 1851, red deer soon became controversial residents: sport for hunters, but despised by farmers and conservationists for the damage they caused. First targeted by government cullers in the 1930s, by the 60s they were shot by commercial operators for venison export. Directed by Bruce Morrison and Keith Hunter, this award-winning documentary catches up with the hunt in the 70s, when deer for farming – dramatically caught alive, from helicopters – was a multi-million dollar gold rush. Different versions of the film were made for overseas markets.