Initially unsure of how to make a career in comedy or the arts, the politically minded Jo Randerson has become a writer, performer and theatre director.
This documentary looks at Christchurch-based experimental theatre company The Clinic. Since 1999 the group has been making concept-driven works - "idea[s] stemming from a dream, a conversation, or even a costume". Often characterised by global multimedia collaborations performances might take place in abandoned buildings, nightclubs or online. This excerpt explores the genesis of the company and their free-flowing ethos. It features The Peculiar Case of Clara Parsons and a show in development at Christchurch Cathedral that includes writer Jo Randerson.
It's the first semi-final in the first series of this stand-up comedy talent quest presented by Jeremy and Nigel Corbett (who assert their edgy, early 90s credentials with a running gag about Nirvana). Judges Ian Harcourt, Theresa Healey and Strawpeople's Mark Tierney preside over a line-up comprising a very composed Michele A'Court, mildcore rappers Hip Hips, The Back Garden, Jo Randerson (in angry-ish feminist mode), a particularly hirsute Jon Bridges and eventual winner Late Night Mike (with Harcourt generating as many laughs as the contestants).
Funny As traces the history of New Zealand comedy through archive footage, and extensive interviews with local comedy talent. Debuting on TVNZ 1 in July 2019, the five-part series explores how Kiwis "have used comedy to navigate decades of profound cultural change". Funny As touches on everything from live and musical comedy, to pioneers of Kiwi screen humour (e.g. Fred Dagg, Lynn of Tawa) and the hit exports of later years (Flight of the Conchords, Rose Matafeo). The series was made by production/creative agency Augusto, and produced by comedy veteran Paul Horan.
Chris Parker grew up seeing long-running improv show Scared Scriptless at Christchurch's Court Theatre. A move to Auckland and comedy troupe Snort — which fellow Snorter Thomas Sainsbury joins him here to discuss — saw him playing David Halls onstage, and becoming a head writer on Jono and Ben. Among other things, Parker discusses: Seeing himself as an actor more than a comedian Getting the role of David Halls in the Hudson and Halls stage play without an audition, and learning about Halls and Peter Hudson's lives as gay men in the public eye, "who couldn't openly be out" The apparent contradiction of being a head writer of mainstream show Jono and Ben, despite his 2015 Comedy Festival show being “a weep fest about coming out to your parents ... like 45 minutes of dancing and no jokes” Winning the prestigious Fred Award for the best show written and performed by a New Zealand comedian, for his 2018 show Camp Binch, which he notes also contained no jokes Watching and learning from fellow actors Jo Randerson and Rima Te Wiata He’s joined by fellow comedian Thomas Sainsbury to discuss Auckland improv group Snort
Jackie van Beek's CV is as impressive as it is long — she's a respected actor, writer, and director across comedy and drama, for stage, television and film.
Pip Hall has written for TV's Skitz, Newsflash, Shortland Street and Jonah, penned a string of successful stage plays, and found the time to perform too. The daughter of playwright Roger Hall muses on many topics, including: Getting her first big laugh on stage at three-years-old, and the formative year she later spent watching "maybe 50, 60 shows in London" The talent that came out of the Allen Hall Theatre at Otago University Getting the chance to write for TV, when producer Dave Gibson shoulder-tapped her after a university show Learning from the impressive writing team on Skitz — which included Cal Wilson, Hori Ahipene, Jemaine Clement and David Fane The influence the Me Too movement is having on theatre