Directed by Sam Pillsbury, this 1974 film observes Ralph Hotere — one of New Zealand’s greatest artists — at a moment when excitement is gathering about his work. Lauded as a “classic” by Ian Wedde, the documentary is framed around the execution of a watershed piece: a large mural Hotere was commissioned to paint for Hamilton’s Founders Theatre. Interviews with friends and associates — poets Hone Tuwhare and Bill Manhire, art critics, officials and dealers — are intercut with fascinating shots of Hotere working (including making art by photocopying or 'xerography').
In the 1950s, driven by a desire to power around the shallows of the Mackenzie Country's braided rivers, inventor and "South Island sheep man" Bill Hamilton developed an improved method of jet boat propulsion. This NFU film explains the concept and Hamilton demonstrates the 'turbo craft': cruising Lake Manapouri, waterskiing Lyttelton Harbour, and heading up the Whanganui. Then it's spin outs and shooting rapids (and deer) with Commander Philip Porter from the icebreaker USS Glacier...who clearly loves the smell of the Waimakariri in the morning.
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
The Mackenzie Affair told the story of colonial folk hero James Mackenzie: accused of rustling 1000 sheep in the high country that would later bear his name. This fifth and final episode sees the manhunt for Mackenzie over, with ‘Jock’ facing a sentence of hard labour and provoking sympathy from equivocal sheriff Henry Tancred. Adapted from James McNeish’s book, the early co-production (with Scottish TV) imported Caledonian lead actor James Cosmo (Braveheart, Game of Thrones) and veteran UK TV director Joan Craft. It was made by Hunter’s Gold producer John McRae.
The inventions of Bill Hamilton dominate this instalment of long-running cinema series Pictorial Parade. Hamilton tests his pioneering jet boat on Canterbury's Ohau River, while new inventions including a hydraulic digger are put to the test on the hard rocky soils at Irishman Creek. Meanwhile on the production line in Christchurch, engineers and machinists are hard at work getting graders and loaders in top working order. Also featured is a new diesel railcar on New Zealand’s train network, and the crew of the HMNZS Hawea and HMNZS Black Prince training in the Cook Strait.
The birth of television in the 1960s meant that suddenly protests and civil unrest could be broadcast directly into Kiwi homes. This episode of 50 Years of New Zealand Television looks at many of those events — involving everything from the Vietnam War and the Springbok tour, to Bastion Point and the Homosexual Law Reform Act. It also examines how being televised altered their impact. Interviews with both protestors and reporters provide a unique insight into what it was like to be living through extraordinary periods of New Zealand history.
At the heart of this short film lies an unnamed tension between a father and his son. Teenager Elliot (Tim Hamilton) lives in quiet Rakaia helping his dad John (veteran actor Peter Tait, in vintage prickly form) run the family dairy farm, but their relationship is strained, at best. When Elliot decides to skip his responsibilities and meet up with his maybe friend, maybe girlfriend Laura (Albertine Jonas), the slow-burning tension between father and son comes to a head. Thicket received The Wallace Friends of the Civic Award at the 2017 NZ International Film Festival.
This TVNZ doco chronicles New Zealand’s participation in 18 Empire and Commonwealth Games — beginning at Hamilton, Canada in 1930 when a Kiwi team of 18 participated in four sports. A cavalcade of gold medallists (including Yvette Williams, Dick Tayler, Anna Simcic and Neroli Fairhall) recall their glory days at the event which was set up to be “merrier and less stern” than The Olympics. Special emphasis is placed on the three New Zealand-hosted Games: at Auckland in 1950 and 1990, and Christchurch in 1974 (which hastened the local arrival of colour television).
Following campaigns in the 1970s for more Māori and Polynesian broadcasting, Pacific Viewpoint marked one of New Zealand television's earliest forays into ongoing Pacific programming. It was made largely by Pākehā, although the presenting and reporting team included John Rangihau, Pere Maitai and Katerina Mataira. The title of the weekly series signalled a focus on Pacific stories, but the show struck a balance between both Māori and Pacific topics. Screening on Sunday afternoons on South Pacific Television, the series was initially produced in Hamilton.