Some of the great names of All Blacks rugby appear in this documentary, which was made before the 2003 World Cup. They tell the story of the highs and lows of New Zealand’s national game across a century of tours. From cruel violence in the early days to the skills of a top team in full flight, The Test provides the views of players, commentators and coaches. This excerpt concentrates on sometimes bruising encounters between the All Blacks and the Springboks, from the 1920s up to 1956. The Test was named Best TV Sports Programme at the 2003 Qantas Media Awards.
This final edition of the 1992 celebration of New Zealand Rugby runs from grand slam success to the cusp of the professional era. But in-between, rugby and politics combusted. When the Springboks, representing apartheid South Africa, toured NZ in 1981, barbed wire, flour bombs and riot police were match fixtures. Kiwis were either for or against. The tour’s aftermath and public disillusionment with the sport found relief in 1987, when the All Blacks won the first Rugby World Cup; three undefeated years followed. Three NZRFU centennial tests close the series.
As the third season of hit show Dancing with the Stars began, broadcaster Paul Holmes was an underdog. His dance partner Rebecca Nicholson told Newstalk ZB that Holmes "dances like my dad". By mid-season Holmes knew that he needed to pull something out of the bag to stay in the running. The result: dancing the paso doble to Michael Jackson’s 'Thriller'. Judge Craig Revel Horwood called the routine "appallingly fabulous", as Holmes traded quips with the judges. In 2018 Stuff rated the homage to the King of Pop one of the show's most memorable moments.
Stéphane Le Goff and Frédéric Khan's documentary is an intimate first-person journey through the life and times of the late All Black icon — charting a meteoric rise from an abusive Māngere childhood to his arrival as rugby’s first international superstar, while managing a rare and serious kidney disorder. This excerpt reveals Lomu’s readiness on the eve of his devastating performance against England in the 1995 World Cup, with English fullback Mike Catt offering his recollection of that try. The 90-minute documentary debuted in NZ on Sky, and later screened on Māori Television.
Hosted by Phil Keoghan not long before he left for the US, Short Sportz was a TV3 sports show encouraging kids to get involved in sports. Keoghan (later to win fame as host of Amazing Race) often kitted up himself Paper Lion-style: here he takes base against Black Sox pitches and cycles with future ironman champion Cameron Brown. This 1991 ‘best of’ show is notable for a segment presented by a rising Wainuiomata league star who’s just been signed by Newcastle Knights: Tana Umaga. Umaga’s NRL career was short-lived, and he went on to become an All Black legend.
This 1992 TV One documentary follows the All Blacks on their first post-apartheid visit to South Africa. The footy tour tomfoolery of producer Ric Salizzo’s earlier All Blacks docos is subbed off for reflections on politics and sport from players — including ex-All Black Ken Gray, who refused to tour the republic in 1970 and joined protesters in 1981. Not all goes to script for a “new South Africa”: the Afrikaans anthem is played before the Ellis Park test, and the All Blacks win. Future South Africa cricket star Herschelle Gibbs is a young coloured player mentored by the ABs.
Burton Silver has created comic strips about dope-smoking hedgehogs and books about artistic cats. He also operated some remote-controlled canines on Country Calendar.
Between 1975 and 1983, London-born variety artist Chic Littlewood entertained a generation of Kiwi kids, writing and presenting 500 plus episodes of his after school shows Now C Here, Chicaboom and Chic Chat — appearing with Alma Woods, puppet Willie McNabb, and as Gramps. In 1993 Littlewood enjoyed a primetime career revival, after starting a three year stint on Shortland Street. He passed away on 11 January 2015.
2013 Arts Foundation Laureate Dean Parker has written extensively for stage, television, radio and print. Alongside his own projects, he has shown himself as a skilled adaptor of everyone from Nicky Hager (The Hollow Men) to Ronald Hugh Morrieson (movie classic Came a Hot Friday).
Renaissance man Fane Flaws has done it all. Since boarding the legendary magic bus of travelling band Blerta in the early 1970s, he has been a musician, graphic designer and artist — not to forget directing a long run of award-winning music videos and commercials, and launching bestselling multimedia project The Underwater Melon Man.