Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.

The tagline runs: "The story of unemployment in New Zealand" and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, "as a new poverty-stricken underclass developed".

Merata Mita’s Patu! is a startling record of the mass civil disobedience that took place throughout New Zealand during the winter of 1981, in protest against a South African rugby tour. Testament to the courage and faith of both the marchers and a large team of filmmakers, the feature-length documentary is a landmark in Aotearoa's film history. It staunchly contradicts claims by author Gordon McLauchlan a couple of years earlier that New Zealanders were "a passionless people".

Hello Sailor's time in the sun saw them spending time in Ponsonby, LA and Sydney, becoming a legendary live act, and releasing an iconic debut album. This collection features documentary Sailor's Voyage, founder member Harry Lyon's account of the birth of the band, and tracks from Hello Sailor, both together and apart. Some of the solo songs were incorporated into the group's live set after they reunited. Included are 'Blue Lady', 'New Tattoo' and 'Gutter Black’, later reborn on TV's Outrageous Fortune.

In 1992 songwriter and guitarist Andrew Brough left Straitjacket Fits, determined to perform his own brand of "f***ing uplifting pop music". Three years later he formed Bike with drummer Karl Buckley and bassist Tristan Mason. Debut single 'Save My Life' was a finalist in the APRA Silver Scrolls. Brough was a fan of sunny, West Coast guitar jangle and 'Save My Life' has a bob each way: guitars chime, while a morbid lyric ('Don't you try and save my life /cos' I'm already dead') floats overhead. Director Mark Tierney chooses a dreamy palette which combines orange with monochrome.

Gary McCormick heads west to Raglan, to ask "What goes on here? Why do people live here? What do they do?". To find out he goes surfing on the famous left-hand point break, hangs with hippies and Dave McArtney, catches Midge Marsden and the Mudsharks at the Harbour View Hotel, and discusses land rights with kaumatua Sam Kereopa. The recipe — McCormick as genial small town anthropologist discovering the locals — earned this a 1989 LIFTA award, and inspired long-running series Heartland. McArtney composed the soundtrack; Finola Dwyer (An Education) produces.

This short film evokes a day fishing from Karioitahi’s black sand beach: balloons are tied to bait lines then sent out, and the fisherman yarn, drink Fanta, and reel in the catch. Expressively shot by Lynton Diggle in black and white, and backed by an accoustic guitar score, the narration-free Pictorial Parade marked an early entry for director John Laing (Beyond Reasonable Doubt). In 2001 Laing proudly recalled his NFU employers' outrage at the film's “pseudo-Japanese bullshit.” He left the Unit shortly after; ironically the film would win him a job at Canada’s National Film Board.

On 28 April 1995, the collapse of a viewing platform at Cave Creek, in Paparoa National Park on the West Coast, caused 17 students and a Department of Conservation Field Centre manager to plunge 40 metres into a chasm. 14 died, and four were injured. The documentary (from which NZ On Screen has three excerpts)  explores what happened and why, with accounts by family members, survivors, and DoC staff. Made three years after the tragedy, the programme looked at its lasting impact on those left behind. It won Best Documentary at the 1998 NZ Television Awards.