Like many young New Zealand males during the late 1960s, Wayne Chester joined the army and headed overseas to fight in Vietnam. As a machine gunner he patrolled the jungles outside of Saigon and saw combat, facing the Viet Cong on several occasions. He recounts his experiences in the jungle, along with some close encounters with wildlife, and the altercations and laughs shared with the American contingent. He also discusses his admiration for the Vietnamese people and the Viet Cong, and the long-term physical and political effects of agent orange.
The golden age of rock is recaptured in a studio mock-up of the Wellington Rock 'n' Roll Revival Club. Hosted by Paul Holmes (under the name Wonderful Wally Watson), the show features Tom Sharplin and his band. Dalvanius Prime also puts in an appearance, delivering a wonderful version of 'The Great Pretender'. The show mixes studio and location sequences, as it delivers hits made famous by the likes of 50s legends Bill Haley and Chuck Berry. Actors Marshall Napier and Brian Sergent are on hand to play a couple of bodgies, referencing the milk-bar cowboys of the era.
Though it plays hell with cameras, Antarctica has long fascinated filmmakers. This hour-long National Film Unit documentary was assembled from a five-part TV series of the same name. There are looks at scientific research, early explorers, and Antarctica's affect on global climate. Made four decades ago, the programme warns of a possible "new and potentially dangerous warming period", and calls the greenhouse effect a "controversial scientific theory". The large cast includes penguins, a seal birth (clip two) and a heavyweight team of Kiwi scientists.
Charting the freeze and thaw which transforms Antarctica each year, this NHNZ documentary follows an icebreaker as it manoeuvres towards the permanent polar ice cap — the furthest south any ship has yet ventured in winter. The cold has trapped icebergs in frozen seas, as well as 25,000 male emperor penguins, waiting out the three month polar night. Veteran Antarctic filmmaker Mike Single showcases eerie undersea environments, icebergs in beautiful decay, the towering Ross Ice Shelf, seals and a massive summer explosion of krill. Single won an Emmy award for his footage.
This was the last music video made by 80s band The Crocodiles before they left NZ for Australia. The clip features new band members Jonathan Swartz, Barton Price (who later found success with Aussie band The Models), and future solo star Rikki Morris, then aged 20. Singer Jenny Morris is in leopard print and pink lycra, and Rikki wears a very 80s combo of high-waisted white pants and argyle sweater, as the band clown around in a supermarket (now a Hutt Valley McDonalds). Dave Dobbyn makes a cameo appearance dressed in drag as Morris's mother.
In this short film, a Cook Island school cleaner (Whale Rider's Rawiri Paratene) responds to an unusual graffiti message on a girls’ toilet wall, with life-changing consequences for him and the mysterious author. Paratene's performance won him a Qantas Film and TV Award; the film also won Best Short and Screenplay (Paul Stanley Ward). Tupaia travelled to more than 15 festivals and director Chris Dudman was nominated for a Leopard of Tomorrow (Best Short) at Locarno. Dudman, Ward and producer Vicky Pope teamed up on another short film success, Choice Night (2010).
After roughly five years as a member of all woman band Cassandra's Ears, Jan Hellriegel launched her solo career with this 1992 single. The much admired video captures a seductive performance from the singer, and cuts it together with smoky pool halls, leopard print, classical sculptures, night driving and boy scouts — unlikely slow motion images, which nevertheless suit the raw emotion of the song. The clip was directed by Chris Mauger, who also utilised black and white on Ngaire chart-topper 'To Sir with Love'. 'The Way I Feel' got to number four on the NZ charts.
Wild Man is the missing link between 1970s musical legends Blerta, and the burgeoning of Blerta trumpeter Geoff Murphy as a director whose talents knew few bounds. The Blerta ensemble relocated to the mud-soaked West Coast to create this tale of pioneer con men and silent movie style pratfalls. Bruno Lawrence and Ian Watkin arrange a fight — and betting — in each town they arrive in, while Bruno channels his inner wild man from under a leopard skin. Wild Man was released in cinemas alongside John Clarke and Geoff Murphy’s Fred Dagg comedy Dagg Day Afternoon.
As was often the way in the early 80s, this is a fairly basic TVNZ-produced video, filmed on a studio set to a DIY marae backdrop under red, green and yellow rasta lighting. But the band are natural born performers. There's puffer vests, Hawaiian shirts, and wristbands; and singer Willie Hona’s sleeveless leopard print top worn with bone carving necklace somehow feels just right for the Pacific reggae charms of the music. 'Long Ago' was the title track from the band's third release, which also featured their no-nukes anthem 'Nuclear Waste'.
"If you don't like the beat, don't play with the drum". Taken from Sharon O'Neill's 1983 album Foreign Affairs, the song chronicles "case 1352, a red and green tattoo". It was inspired by a prostitute who worked the streets of King's Cross. The clip starts with O'Neill hitting Auckland Airport. Look out for leopard skin tights and a dress straight off Logan's Run. Other highlights: a steamy sax solo, heavy eye shadow and backlit silhouettes in "rain-slicked avenues." Two clips for 'Maxine' exist: the Australian version won controversy for images of a fictional prostitute, shot in King's Cross.