Since 1959 Cadbury Flake advertisements have been evoking the sensual pleasure of consuming the bar. The ads’ soft focus emphasis on young women enjoying “only the crumbliest, flakiest chocolate” has also moved more febrile minds to make risqué associations with the chocolate that “tastes like chocolate never tasted before”. This 1983 edition, produced by Silverscreen, sees a winsome woman wander in a romantic rural landscape before showing “a very special way to eat chocolate.” Homage was paid to the campaign in Taika Waititi’s 2016 feature Hunt for the Wilderpeople.

Brian Brake is regarded as New Zealand's most successful international photographer. He worked for the Magnum cooperative, and snapped famous shots of Pablo Picasso at a bullfight and the Monsoon series for Life magazine. In this Inspiration documentary — made shortly before his 1988 death — Brake reviews his lifelong quest for “mastery over light”, from an Arthur’s Pass childhood to a fascination with Asia. He recalls time at the National Film Unit and is seen capturing waka huia, Egyptian tombs, and Castlepoint’s beach races (for a new version of book Gift of the Sea).

This documentary pays tribute to New Zealand's lighthouse keepers, the extraordinary men and women who lived in extreme isolation and operated lighthouses in places as far afield as Puyseger Point in Fiordland National Park, to Northland's Mokohinau Islands. Interviews reveal resourceful, pragmatic and practical individuals; they revisit their lights and talk about a romantic lifestyle that ended last century with the advent of automated technology. Their stories are filled with down-to-earth humour and nostalgia for a bygone world. 

Before he was an acclaimed cinematographer, Leon Narbey was another kind of artist. Narbey shot this film to document Real Time, an immersive light and sound installation he created for the opening of New Plymouth's Govett-Brewster Art Gallery in 1970. Real Time took over the entire gallery: viewers entered an altered landscape of glittering materials, neon flashes and an industrial soundtrack triggered by the movements of the crowd. The film opens with quickfire shots of the official opening ceremony, before the camera enters a new and strange world of sensory thrills.

Using music to bring home an important message is an age-old technique, used to good effect here by Senior Constable Bryan Ward and Bobby, his talking police dog. Joined by a bunch of enthusiastic kids and members of emergency services, they make some moves while reworking lullaby 'Twinkle, Twinkle, Little Star' into a road safety message. Producer and children’s TV icon Suzy Cato is among those making a direct appeal for drivers to slow down on roads, before a final karaoke verse which viewers can sing along to at home.

This documentary looks at the life of neglected painter Edith Collier. Whanganui-bred Collier left for London in her late 20s to study art; her painting flourished, experimenting with modernism alongside fellow expat Frances Hodgkins. She returned home after World War I to family duty, and ridicule for her art (her disgusted father set fire to her nudes). Interviews with her biographer and family, and shots of her work, make for a poignant biography of a (curtailed) artistic life. Listener reviewer Helene Wong called it “affecting viewing, with a sense of discovery”.

This Work of Art documentary follows veteran actor and director Ian Mune as he works with NZ Drama School graduates, to write and shoot a 15 minute film in just two days. Many of the actors (who include future bro'Town voice David Fane and Saving Grace's Kirsty Hamilton) have little experience acting for the camera. Mune passes on lessons learned in a career that began long before such tuition was available locally. Shot at Wellington Railway Station, Rush Hour, the resulting film, is included in its entirety during this fascinating insight into the creative process.

'Spill The Light' kicked off a fruitful collaboration between Betchadupa and Gerald Phillips, with the recent design school graduate taking on the roles of director, animator, actor and cameraperson. The process involved filming himself, then drawing over the footage frame by frame. The result has our head-bopping protagonist sitting down and losing himself in this mellow single from Betchadupa's self-titled EP. The band appear in animated cameos, going about their daily routine, while our listener remains blissfully oblivious.  

Made with the contents of many secondhand stores, the video for Evermore's 'Light Surrounding You' makes apt use of its title — the band performs in a ring of lights out in the New South Wales desert. The exact location, Lake George, had been dry for several years at the time of the shoot, although it was later submerged. The video stars Australian actor Emily Browning (Sleeping Beauty), who follows a trail of antique lights out to Evermore’s circle in the desert. The second single off 2006 album Real Life, the song achieved platinum sales in Australia, where it reached number one.

Sally Tran's characteristic attention to detail, a kooky concept and delightful fairytale flavour shrewdly enrich the artist's track, while conscientiously keeping the entire production largely recyclable.   "There are four different sets in the video and we moved from one to the other in quick succession, shooting the whole thing in a few hours. Everything you see in the video is made of cardboard. Even the instruments (and our bow-ties!). The drums were particularly impressive." Matt Pender - Feb 09