NZ On Screen’s Dunedin Collection offers up the sights and sounds of a city edged by ocean, and famed for its music. Dunedin is a bracing mixture of old and new: of Victorian buildings and waves of fresh-faced students, many of them carrying guitars. As Dave Cull reflects in his introduction, it is a city where distance is no barrier to creativity and innovation.
In the beginning — of both movies and books — is the word. Many classic Kiwi films and television dramas have come from books (Sleeping Dogs, Whale Rider); and many writers have found new readers, through being celebrated and adapted on screen. This collection showcases Kiwi books and authors on screen. Plus check out booklover Finlay Macdonald's backgrounder.
Writer Janet Frame (1924 - 2004) is an icon of New Zealand literature; her 'edge of the alphabet' use of language has seen her acclaimed as "one of the great writers of our time" (San Francisco Chronicle). This collection celebrates Frame's life and work on screen, from applauded Vincent Ward and Jane Campion translations to a rare TV interview with Michael Noonan.
Under the Covers is a spin-off series from the TVNZ 7 book series The Good Word, compiling reporter Finlay Macdonald’s 10-minute pieces on great New Zealand books into a programme of their own. Each episode features three books and tells the story behind them with a mixture of interviews, readings and archive footage.
Based on the chldren's books by Lynley Dodd, this show follows beloved dog Hairy McLary on his adventures in the neighbourhood. Opening with the theme tune familiar to many Kiwi families, this is Hairy's first screen adventure, introducing his canine mates — Schnitzel von Krumm, Bottomley Potts and Muffin McClay — and his tomcat tormenter: Scarface Claw! Actor Miranda Harcourt narrates, capturing the rhythms of Dodd's prose that have seen the stories sell in the millions since they first appeared in 1983. The 10-part series was animated by the late Euan Frizzell.
Made in New Zealand is a documentary about acclaimed New Zealand children and young adults writer Margaret Mahy. The film takes a line from her award-winning story The Changeover — "...made in New Zealand, it said, Wisdom Laboratories, Paraparaumu" — and uses it to talk about the importance of New Zealand settings in Mahy's work, her international successes, and her life as a writer. Mahy is filmed at her home in Governors Bay, speaking to children in her famous rainbow wig, and out and about on Akaroa Peninsula.
Under the Covers is a spin-off series from the TVNZ 7 book series The Good Word, compiling Finlay Macdonald’s 10-minute pieces on great NZ books into a programme of their own. Each episode features three books and tells the story behind them with a mix of interviews, readings and archive footage. This episode features Barry Crump’s A Good Keen Man, David Lange’s My Life, and — in this excerpt — Jane Mander’s The Story of a New Zealand River, the 1917 novel that some say was an uncredited inspiration for the Jane Campion film The Piano.
This three-part documentary series was made to mark International Women's Year in 1975; it provides rare and precious interview footage with three of New Zealand's most celebrated writers; Sylvia-Ashton Warner, Janet Frame and Dame Ngaio Marsh; who each reflect on their life and philosophy. In the case of Ashton-Warner and Marsh, these documentaries were filmed in the last decade of their lives. Three New Zealanders was produced by John Barnett for Endeavour Films.
This documentary about Māori writer Witi Ihimaera features him in conversation with filmmaker Merata Mita. Ihimaera traverses his life and writing career, emphasising the importance of his family (particularly his mother and grandmother) and his overriding Māori identity. Aileen O'Sullivan's film features a star-studded assemblage of local literature — Keri Hulme, Albert Wendt, publisher Geoff Walker — and a dramatised excerpt from his novel Bulibasha ( featuring Rena Owen, Michael Hurst and Rawiri Paratene), shot roughly two decades before 2016 movie adaptation Mahana.
Biographer Michael King takes us through the life of pioneering writer Frank Sargeson: from puritanical parents to self-discovery in London, through to decades encouraging an emerging tide of New Zealand writers. The documentary’s most priceless moments are the tales told when four of those writers return to Sargeson’s fabled fibrolite bach, in Takapuna. Kevin Ireland calls it an “oasis, this marvellous place where books ruled supreme”. Sargeson’s purposefuly minimalistic writing style, the doco argues, helped NZ literature find its own voice.