The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.
For a small country from the edge of the world, achievements on the Olympic stage are badges — silver fern-on-black — of national pride: precious moments where we gained notice (even if it was Mum’s anthem playing on the dais). This legacy collection draws on archive footage, some rarely seen, to celebrate the stories behind Kiwis going for gold.
This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
This collection brings together 50+ titles covering Kiwis at war. Iconic documentaries and films tell stories of terrible cost, heroism and kinship. There are also background pieces by Chris Pugsley, Jock Phillips, and broadcaster Ian Johnstone. Pugsley muses, "It is sobering to think that in the first half of the 20th Century the big OE for most New Zealanders was going to war."
Auckland's Massive Company began in 1998 as a youth theatre group, committed to developing multicultural talent. Sons for the Road records a big moment in their evolution: performing at London's Royal Court Theatre, whose long history includes launching another piece of cross-cultural fertilisation, The Rocky Horror Picture Show. Their play is The Sons of Charlie Paora, a tale of rugby players and troubled male identity developed by Massive and UK writer Lennie James (who would later join the cast of hit The Walking Dead). The Independent called the play "wonderfully engaging".
When Frank Sanft’s older brother was killed early in World War ll, it only intensified Frank’s determination to serve. Joining the Royal Navy, he was eventually assigned to Operation PLUTO, which involved laying an undersea fuel pipeline between the UK and Cherbourg (vital in keeping Allied vehicles moving, directly after the invasion of France). Frank laughs now at a close call with a sniper ashore in France. Serving in the Pacific, he was there after Singapore’s notorious Changi PoW camp was liberated. In 2017 Sanft was awarded a prestigious French Legion of Honour.
"A social satire about an entire Antipodean generation, comfortable with what it knows best." London, 1983. It's time for a party. A group of young New Zealanders have arrived at the other end of the world to drink, play Kiwi music, search for shelter, and talk about other New Zealanders. Scripted by playwright Fiona Bartlett, this ambitious OE story plays out in one single ten minute shot (Three takes were printed). Director Jonathan Brough later directed episodes of Outrageous Fortune, The Pretender and short film No Ordinary Sun.
With his third feature, director Paul Oremland is also one of the subjects. Oremland’s quest is to track down 100 men that he’s met through sex over 40 years, taking him on a global journey from Raglan to London. Through interviews and personal reflection he charts changing attitudes to gay experience: exploring sex, joy, AIDS, friendship, and the value of monogamy versus polyamory. After debuting at American LGBTQ festival Frameline, the film screened at the 2017 New Zealand International Film Festival.