This episode of the turn of the century youth show trips out in the mud, at The Gathering dance party in Takaka. Havoc then talks to Manchester DJs at Piha, and interviews legendary comedian Robin Williams, who ranges from getting bitten by a dolphin to being scared by Paul Holmes. When this episode aired in January 2000, the hosts were at the peak of their infamy, having baited the BSA earlier in the series with a student stapling his genitals to a cross and setting it alight, and a woman on the street being asked whether she’d consider a sexual act for four dollars.

Christchurch based Paua Productions set out to document the effects of the city’s 4 September earthquake in 2010 but found themselves overtaken by the tragic events of 22 February 22. Their focus is the experiences of everyday people coping with the destruction of large tracts of their city, significant injuries and major loss of life as liquefaction, ruined homes and thousands of aftershocks prolong the initial trauma. A number of the interviewees were followed over a year, as they struggled to come to terms with what had happened and move on.

The first instalment of this two part documentary chronicles the effects of Christchurch’s September 2010 earthquake on a variety of everyday people. They have seen damage to their city they would never have imagined, houses have been destroyed, liquefaction has entered their vocabulary and the ground beneath their feet can no longer be trusted. Miraculously, there has been no loss of life. As seismologists seek to understand what happened, the interviewees tentatively rebuild disrupted lives, but the fatal quakes of 22 February cruelly derail that recovery.

Sailor's Voyage charts the journey of Hello Sailor, the band that ripped up a storm live, made landings in the USA, ran aground and fell apart, then drifted back together again. Interviews with Graham Brazier, Dave McArtney, Harry Lyon and co reveal how the group opened doors for local music, and helped establish a New Zealand touring circuit. Manager David Gapes recalls attempts to get a US record deal, before the cash ran out; the legend of Brazier being asked to join The Doors is explained. The archive footage includes a performance with Doors member Ray Manzarek. 

After three years of playing live, the first single from Th’ Dudes was this classic, chiming piece of pop written by Dave Dobbyn. The video was made at TVNZ’s Manchester St Studios in Christchurch. With Dobbyn taking lead vocal, there was no onstage role for Peter Urlich — so he sits at a table in the foreground of the empty nightclub set. Assistant floor manager Peter Bain-Hogg plucked a passerby off the street to play the waitress. The song would become an enduring Kiwi classic — three decades later, it closed out the final episode of Outrageous Fortune.

This 2013 Sunday item sees Garth Bray interviewing veteran Coronation Street actor William Roache, and being shown around the Manchester set. After defending Coro actor Michael Le Vell (later acquitted of sex abuse charges), Roache made headlines for comments that appeared to partially blame victims. He argues that people who are aware they are "pure love" won't become victims, but adds that events in our past lives can factor in. Roache later apologised for any offence caused. Two months later he faced charges of rape and indecent assault. He was found not guilty on all counts.

This performance by Hello Sailor was recorded by TVNZ in Christchurch, at the Civic Theatre in Manchester Street. Singer Graham Brazier (who passed away in September 2015) is said to have written the classic song about love, destruction and hurt in 15 minutes. It was a last minute addition to the band’s debut album (and their second Top 20 single of 1977, reaching number 13). 'Blue Lady' was later considered as a possible theme song for an Australian police show. It would have been a strange choice: this Blue Lady came from the wrong side of the tracks. It was junkie slang for a hypodermic syringe. 

The trademark warm, jangling sound of veteran Flying Nun band The Bats masks a Robert Scott lyric about emotional numbness on this song from their debut album Daddy's Highway. Director Jonathan Ogilvie's clip features a chainsaw of Damocles and the ventriloquist's dummy from the album cover — and a poignant Christchurch location. The distinctive, triangular ANZ Bank Chambers (where the band members play on the balconies) and surrounding buildings at the intersection of Manchester, High and Lichfield streets were devastated in the city's earthquakes.