Packed with creatures and landscapes that quite simply boggle the mind, the Nature Collection showcases New Zealand's impressive menagerie of nature and wildlife films. Many of the titles were made by powerhouse company NHNZ, which began around 1977 as the Natural History Unit, a small, southern outpost of state television. In this backgrounder, Peter Hayden — who had a hand in more than a few of these classic films — guides viewers through just what the Nature Collection has to offer.

He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.

Sam Neill has acted in forgotten Kiwi TV dramas (The City of No) and classic Kiwi movies (Sleeping Dogs, The Piano, Hunt for the Wilderpeople). His career has taken him from the UK (Reilly: Ace of Spies) to Hawaii (Jurassic Park) to dodgy Melbourne nightclubs (Death in Brunswick). As Neill turns 70, this collection celebrates his range, modesty and style — and the fact he was directing films before winning acting fame. In these backgrounders, friends Ian Mune and Roger Donaldson raise a glass to a talented, self-deprecating actor and fan of good music and pinot noir.

'One Will Hear the Other’ offers all the trademarks of a Shihad classic — epic guitars, driving drums and a chorus tailor-made for joining in at one of the band’s legendary live shows. Directed by Australian Toby Angwin, and shot in Shihad’s then hometown of Melbourne, the video features performance footage of the group projected on to central city buildings, alongside a narrative implying this is the work of a group of guerilla street artists. The song was the lead single from 2008’s Beautiful Machine album, which debuted at number one on the New Zealand Top 40 chart. 

Made as a promo for the album of the same name by Melbourne-based musician Lance Ferguson, this short documentary covers a golden era of New Zealand music. The documentary focuses on Ferguson’s grandfather, the late Bill Wolfgramm, who released NZ’s first pop album South Seas Rhythm in 1957. Ferguson talks with another legend, Bill Sevesi, who played with Wolfgramm, and visits Auckland's Museum of Transport and Technology, which holds a special significance for him and his family. Included is rare footage of historic TEAL flying boat Aranui in flight.

This June 2013 edition of the TVNZ Pasifika youth show is presented by actor Robbie Magasiva from his base in Melbourne, where he has a role in Australian prison drama Wentworth. Elsewhere the Poly-plethora includes a visit by Pani (Goretti Chadwick) to Armageddon Expo in Hamilton to meet Game of Thrones actor Jason Momoa. Pani makes the hard man with Hawaiian heritage blush, and gets the lowdown on his mako tatau. Niuean artist Kenneth Green also talks about his tattoo; Tiger and Raa visit the school principal; and reggae band Brownhill close with ‘First Love’. 

This National Film Unit documentary looks at thoroughbred racehorse breeding in New Zealand, an industry described as producing "the world's finest racing" — eg 1966 Melbourne Cup winner Galilee. Made when racing could arguably still be called our national sport, the film visits leading stud farms (such as Trelawney in the Waikato) to follow the life of a foal, from birth through yearling sales and training, to Wellington Cup race day — when roads are gridlocked with "a congregation whose bible is a racing almanac". The footage includes a 'good citizenship' school for jockeys.

This 1978 single marked the first number one for the Kiwi prog rockers turned Australian pop stars. It danced around the age of consent (the first line of the song gave the impression the narrator may be in jail). Later the song became the theme tune for 2012 Aussie TV show Puberty Blues. A time capsule of 70s Melbourne, the clip opens on singer Marc Hunter aimlessly wandering the city's streets and tramways, before transitioning to a glossier studio performance. Like many of the band's biggest hits, the song was written by Dragon's resident hook-writer, keyboardist Paul Hewson.

Host Paul Holmes looks back on the life of “the Colin Meads of cricket” — the big hearted, Excalibur-wielding Lance Cairns; although the celebration is just as often of his enthusiastic fondness for the game’s social side. A cavalcade of cricket stars (Chappell, Botham, Lillee, Marsh, Hadlee, Coney, Chatfield, Crowe and son Chris) reminisce — with the remarkable sixes in his innings at Melbourne in 1983 coming in for special attention. Cairns’ profound deafness and the death of his daughter in a level crossing accident provide a more serious note.

This 1977 film looks at the meeting of the 'two rivers' (Māori and Pākehā, oral and written) of the Aotearoa literary tradition. Rowley Habib is a guide as hui take place and readings of contemporary Māori poetry are set to images of Māori life, from Parihaka and land march photos to Bastion Point, urban scenes and a Black Power hangi. Poets include Mana Cracknell, Peter Croucher, Robin Kora, (a young) Keri Hulme, Brian King, Apirana Taylor, Katarina Mataira, Don Selwyn, Henare Dewes, Rangi Faith, Dinah Rawiri, Haare Williams, Hone Tuwhare, and Arapera Blank.