Open Door is a community-based television series that enables groups or individuals to make a documentary about an issue that concerns them. This episode is about the Mental Health Foundation youth group Vibe, which supports young people with mental illness. The doco features Vibe co-ordinators, and also young people who have a mental illness. Craig Harvey, who has bi-polar disorder, and Wallace Stevenson, who has schizophrenia, talk frankly about their conditions and the importance of support from groups like Vibe, as well as family and friends.
Mary O’Hagan spent five years of her early 20s confined to a psychiatric hospital. This short documentary has O’Hagan reading back the doctors' reports on her mental illness, and comparing them with her own journal entries at the time. In turn the film presents a critique of the treatment of mental illness that O’Hagan endured. The film’s title, Madness Made Me, is also that of O’Hagan’s own memoir, which chronicles her experience with mental illness. The film was made as part of Loading Docs, a series of short films made for exhibition online.
Amadi is a Rwandan refugee struggling with his new life in New Zealand. Alone, patronised in his menial job (he’s called “Africa” by a workmate), and anxious about rescuing his family from his war-torn ‘home’; he forms an unlikely connection with the prickly lady living next door. Directed by 2009 Spada New Filmmaker of the Year, Zia Mandviwalla, Amadi joined Eating Sausage, Clean Linen, and Cannes-selected Night Shift to form a quartet of Mandviwalla-made shorts exploring cross-cultural collision. It screened at Melbourne and Hawaii international film festivals.
This programme in the Open Door series follows a group of people who have successfully conquered their mental illness and are now contributing to society. They talk about what caused their health problems and what it is that keeps them healthy. Creativity is a common theme. On their road to recovery many discovered hidden talents with which they now enrich their lives and the lives of others.
This short film follows a five-year-old child (Elizabeth Morris), after her mother's paranoid delusions reach breaking point and she is put in a mental hospital. Writer/director Belinda Schmid's aim was to show how children can respond to situations partly without emotional upset, "because we have no other measure for the ways things are supposed to be, and partly by coping in ways that help us survive at the time". Jennifer Ward-Lealand plays the mother. Nominated for Best Short at the 2000 NZ Film Awards, The Painted Lady was invited to a number of international film festivals.
The Gibson Group drama series centres on a team of TV journalists working on a weekly current affairs programme. Katie Wolfe plays stroppy journalist Amanda Robbins, who has been lured back to Wellington from Australia by a network boss hoping her tabloid style will help ratings. Her workmates are not so confident. In this excerpt from the start of the first episode, Robbins hits the news (literally) as she runs into a disturbed nightclubber (Katrina Hobbs) on a rainy night. A pre-Lord of the Rings Fran Walsh was one of the series writers.
The Insatiable Moon is the tale of a man with nothing but wisdom, joy and possibly a direct line to God. Arthur (Rawiri Paratene) wanders the streets of Ponsonby, where he finds perfection (Sara Wiseman) just as his community of boarding house friends faces threat. Producer Mike Riddell first wrote The Insatiable Moon as a 1997 novel, inspired by people he met while he was a clergyman in Ponsonby. The film’s extended development almost saw it made in England with Timothy Spall - before finally coming home, “on half a shoestring and a heap of passion”.
Directed by Jane Campion, An Angel at My Table is adapted from author Janet Frame's renowned three-part autobiography. It threads together a series of images and scenes to evoke Frame's dramatic life story. Originally made as a TV drama, the much-acclaimed dramatisation won cinema release in 35 countries, establishing Campion as an international director, launching actress Kerry Fox, and introduced new audiences to the "mirror city" of Frame's writing. This excerpt follows Frame's life-saving escape from Seacliff Asylum, to first publishing success at Frank Sargeson’s bach.
The Dark Horse is the story of a Māori ex-speed chess champ who must “overcome prejudice and violence in the battle to save his struggling chess club, his family and ultimately, himself”. Genesis Potini has a bi-polar disorder; his nephew Mana (Boy’s James Rolleston) faces being pressed into a gang. A near unrecognisable Cliff Curtis won international acclaim as Potini. James Napier Robertson's acclaimed second feature was picked to opened the 2014 Auckland and Wellington Film Festival, and scored six Moa awards, including Best Picture, Director, Actor and Supporting Actor.
This lauded documentary revisits the subject of a film Vincent Ward made in 1978, aged 21. That film, In Spring One Plants Alone, told the story of 80-year-old Puhi, who lived with her schizophrenic son in the isolated Urewera. The follow-up — part detective documentary, part historical reenactment — focuses on Puhi's life. She married the son of Māori prophet Rua Kenana, had 14 children, and after a run of tragedies, believed herself to be cursed. This excerpt goes “way out there in the bush” to the Maungapohatu community where Rua, “made the city of God on Earth”.