Since cutting his teeth on 1978 soap Radio Waves, Mike Smith has built one of the longest directing CVs in local television, winning awards en route for both drama and comedy. In 2005 he produced the debut season of Outrageous Fortune, and played a hand in its casting. He has also created or helped create shows Heroes, hit comedy Willy Nilly, The Lost Children and campground comedy Sunny Skies.
Versatile director Mike Smith has made an enormous amount of New Zealand drama. Highlights of his lengthy television CV include Radio Waves, Duggan, Serial Killers, The Almighty Johnsons, Nothing Trivial, tele-movie Siege and docu-drama Nancy Wake: The White Mouse. Smith also had a big hand in creating Heroes (80s pop band on-the-make show), yokels comedy Willy Nilly, children’s drama The Lost Children and 2013 comedy Sunny Skies. He was also one of the key players in the launch of Outrageous Fortune.
Sitting bored in the car while his sister auditioned for The Legend of William Tell, Michael Wesley-Smith ventured inside and stumbled into a professional acting career. Discovered by the show’s casting director, he went on to appear in all five seasons of hit The Tribe. He also starred as the newest student at Atlantis High, another show made by company Cloud 9. Later, after completing a law degree in Otago and studying at Christchurch's NZ Broadcasting School, Wesley-Smith became a reporter for Three, and has worked on Campbell Live, Story and Newshub Nation. He has also reported for Sky and ESPN.
This 1997 Inside New Zealand documentary looks at the evolution of modern Māori political activism, from young 70s rebels Ngā Tamatoa, to Te Kawariki's protest at Waitangi Day in 1995. Directed by Paora Maxwell, it is framed around interviews with key figures (Syd Jackson, Hone Harawira, Ken Mair, Mike Smith, Annette Sykes, Eva Rickard, Joe Hawke). The interviewees explore events, and the kaupapa behind their activism, from thoughts on sovereignty, and the Treaty of Waitangi, through to symbolism (tree felling, land marches) and being kaitiaki of the environment.
This edition in Prime’s television history series surveys Māori programming. Director Tainui Stephens pairs societal change (urbanisation, protest, cultural resurgence) with an increasing Māori presence in front of and behind the camera. Interviews with broadcasters are intercut with Māori screen content. The episode charts an evolution from Māori as exotic extras, via pioneering documentaries, drama and current affairs, to being an intrinsic part of Aotearoa’s screen landscape, with te reo used on national news, and Māori telling their own stories on Māori Television.
A magazine show with an edge, The Living Room did for arts television production what Radio With Pictures did for NZ music — it ripped open the venetian blinds, rearranged the plastic-covered cushions, and shone the sun on Aotearoa’s homegrown creative culture. Often letting the subjects film and present their own stories, it was produced for three series by Wellington’s Sticky Pictures, who also made follow-up arts showcase The Gravy. These excerpts from the first series show a calvacade of local talent, including an early Flight of the Conchords screen outing.
Paul Holmes signed off editions of his weeknightly current affairs show with "Those were our people today, and that's Holmes tonight". 'Our people' in this 1997 Christmas special — presented from the roof of TVNZ — include seemingly everyone deemed worthy of news in 1997: from surgery survivors, to stowaways (the notoriously laconic Ingham twins) and All Blacks. Reporter Jim Mora finds politicians bustling for cheery airtime; Tom Scott recalls where he was when Princess Di died; and international celebs (from the Spice Girls to Kylie) send wishes downunder.
On 7 May 2009, police executing a search warrant in a Napier suburb were shot at by Jan Molenaar. Senior Constable Len Snee was killed, two officers and a neighbour injured; a 50 hour siege ensued. This adaptation of the events into a telefeature dominated the 2012 New Zealand Television Awards, winning Best One-off Drama, Script (John Banas), Performance (Mark Mitchinson as Molenaar), Supporting Actress (Miriama Smith), and Best Sound Design (Chris Burt). Hawke's Bay Today reviewer Roger Moroney said of the Mike Smith-directed drama: "They got it right".
A Twist in the Tale was one of a series of kidult shows launched by The Tribe creator Raymond Thompson, after he relocated to New Zealand. The anthology series spins from a storyteller (Star Trek's William Shatner) introducing a story (often fantastical) to a group of children, some of whom appear in the tales. The show featured early appearances by many young Kiwi thespians, including Antonia Prebble, Chelsie Preston Crayford, Dwayne Cameron and Michelle Ang. Although the writing team were British, some of the directors and most of the crew were New Zealanders.
When fishermen reel in a dead body in small town Brokenwood, Detective Mike Shepherd can't help but crack a joke: "I love a catch. Probably the one they wish had got away." In this excerpt from very first episode 'Blood & Water', new cop in town Shepherd (Neill Rea of Scarfies fame) pairs up with Detective Kristin Sims (Fern Sutherland from The Almighty Johnsons) to try to figure out what happened to drunk ol' Nate Dunn (Chris Sherwood). The detectives became a permanent team as the Prime TV series continued, working on deaths that plague the area.