No ordinary Christmas tale, The Monster’s Christmas throws viewers into a world of friendly creatures, talking hot pools and witches with gym equipment in their cave lairs. Child find Lucy McGrath revels in the role of a plucky girl who encounters a one-eyed monster with smoke billowing from his head. The monsters need her help to steal their voices back from an evil witch. The stylings of the live action creatures were influenced by the volcanic North Island locations, and designed by Janet Williamson and cartoonist Burton Silver. Yvonne Mackay (Kaitangata Twitch) directs.
Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard.
Animated plasticine. Talking chickens. Dancing Cossacks. Plus old favourites bro'Town, Hairy Maclary and Footrot Flats. From Len Lye to Gollum, feast on the talents of Kiwi animators. In his backgrounder to the Animation Collection, NZ On Screen's Ian Pryor provides handy pathways through the frogs, dogs and stop motion shenanigans.
This 2015 edition in the Loading Docs series explores the past, present and future of Crystal Palace, a dilapidated but stately theatre on Auckland’s Mt Eden Road that has been drawing the curtains since the 1920s. Co-directed by Karl Sheridan and Robin Gee, who work under the Monster Valley moniker, the documentary canvasses the spilled Jaffas, dances, surf film screenings and local legends of the venue — and is also a plea to bring the ballroom and cinema back to life. In March 2016 Monster Valley answered their own call, and took over management of the theatre.
This short animated comedy offers up a pre-Wellywood tale of Hollywood coming down under. In the fictional West Coast town of Whatawhopa, a horror movie film crew has arrived to take advantage of the town's persistent rain. When the forecast fails, the town’s lazy fire fighters — “burning and yearning for a fire”— are finally sparked into action. The National Film Unit production was directed by Bob Stenhouse (Oscar-nominated for The Frog, the Dog and the Devil) who is clearly relishing the chance to go to town on scenes of rain, lightning, fire and monsters with droopy eyes.
Peter Jackson's love affair with moviemaking and special effects was ignited by seeing the original King Kong (1933) as a child. Jackson's Kiwi-shot remake takes one of cinema's most iconic monster movies, retains the 30s setting and iconic New York finale, and toughens up the "beauty" (Naomi Watts). The film also transforms the male (non-ape) lead from lunkhead to sensitive playwright (Adrien Brody). Exhilarating, Oscar-winning CGI brings the great ape to life, alongside rampaging dinosaurs, and oversized wētā inexplicably absent from the maligned 1976 remake.
In Larger than Life Jo (Rebecca Hobbs, star of horror tale The Ugly) discovers her new house is inhabited by an array of mutant arachnids, each larger than the last. Kiwi writer/director Ellory Elkayem cleverly melds puppetry and digital effects to give his spiders maximum yuck factor, while the violin-fuelled soundtrack pays spirited homage to the 50s monster movies (Them!, Tarantula) which inspired the whole enterprise. After the success of this spider tale, Hollywood called: Elkayem answered with bug tale They Nest, and comical spider epic Eight Legged Freaks.
In this episode, the pint-sized Tamatoa sets off to rescue his talkative friend Moko the tuatara (Jason Hoyte), after Moko goes on an accidental kite journey and ends up in a swamp that is home to a brightly-coloured taniwha. Tamatoa has been warned that if he meets the taniwha, having a gift ready might help things along. The swamp is a place of many surprises: some of them with teeth, some with smiles. The light-hearted, colourfully-animated show was created by Kiwi company Flux Animation Studios.
On a holiday to Mt Tarawera, teenager Jenny (Katrina Hobbs) finds an odd shard of metal. In this third episode of the kids sci-fi series she meets its owner: 'Drom' — a survivor of an alien mission to deactivate a planet-annihilating space gun (aka Tarawera itself). They find themselves under siege from a Predator-like 'Guardian' of the gun. If Drom and Jenny and local kids Tessa and Lloyd (future What Now? presenter Anthony Samuels) can't defeat the mechanoid, catastrophe is imminent! The South Pacific Pictures series found international sales and cult repute.
Steve Ayson’s supernatural short puts a twist on ‘domestic violence’ as a DIY home renovator fits a set of second-hand french doors to his doer-upper. He discovers that light isn’t all they let in. French Doors won selection to Melbourne and Clermont Ferrand festivals and sold to UK’s Channel 4 and France’s Canal Plus. At Locarno in 2002, Ayson won a ‘Leopard of Tomorrow’ prize, in a year the festival spotlit down-under films. Ayson has gone on to build a global career as a commercials director (including local classics Ghost Chips, and Lotto’s Lucky Dog).