Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard.
Director Peter Jackson's second feature Meet the Feebles offers even more bad taste than his debut. The irreverent, outlandish, part-musical satire is populated almost entirely by puppets, but it is by no means cute. The motley creatures are all members of a variety show that’s working up to a major performance. They include Bletch the two-timing pornographer walrus, an obese hippo femme fatale, a drug-dealing rat, and a heroin-addicted frog — in other words, something to offend everyone. Richard King writes about the creation of New Zealand's first puppet movie here.
Screened on a TVNZ arts show, this documentary looks at how the strings were pulled on Peter Jackson's low-budget puppet movie Meet the Feebles. An old Wellington railway shed fizzes with energy and imagination as a team peppered with future Oscar-winners crafts the gleefully subversive Muppets parody. Jackson muses on his influences, processes and propensity for "savage humour" in a fascinating interview. Included is footage of his childhood films — war movies and stop motion animation made with his first 8mm camera. Richard King writes about Meet the Feebles here.
The Haunting of Barney Palmer is a fantasy film for children about a young boy who is haunted by his great uncle. Young Barney fears that he has inherited the Scholar family curse; a suite of 80s-era effects ramp up the supernatural suspense. The film was a co-production between PBS (United States) and Wellington's Gibson Group, which resulted in Ned Beatty (Deliverance, Network) being cast. It was written by Margaret Mahy, based on her Carnegie Award-winning novel The Haunting, and an early fruitful collaboration between her and director Yvonne Mackay.
Bret McKenzie is one half of musical-comedy duo Flight of the Conchords. McKenzie and Jemaine Clement found international fame with the cult HBO comedy, which followed the duo's fictional efforts to 'make it' in New York. An Oscar-winner after writing songs for The Muppets (2011), McKenzie's screen career began after a brief role in The Lord of the Rings trilogy helped win him a cult following.
New Zealander Bill Gavin began his film career in the United Kingdom. After arranging finance for everything from The Killing Fields to Sid and Nancy, he returned home in the 90s to produce a number of features, including What Becomes of the Broken Hearted? and Jubilee. During two years as Head of Feature Films at South Pacific Pictures, he helped develop and finance 2002 hit Whale Rider.
Auckland-raised Meredith Braun began appearing on stage and screen at age five. She went on to act in TV's The Champion and tele-movie The Haunting of Barney Palmer, then at 17 got the first of many acting roles on London's West End. After Les Miserables and Sunset Boulevard, she starred as Christine in The Phantom of the Opera. Her UK CV also includes occasional screen roles, plus 2012 album Someone Else's Story.
Jemaine Clement is the bespectacled half of folk-comedy duo Flight of the Conchords, who achieved international cult status in their own HBO series. Clement's screen career began after he appeared on 90s sketch shows Telly Laughs and Skitz. Following his big screen debut in Tongan Ninja, he starred in misfit romance Eagle vs Shark. In 2014 he co-directed and acted in hit vampire comedy What We Do in the Shadows.