Made to mark the Women’s Suffrage Centennial in 1993, this documentary features seven women in their 90s. By telling their own personal stories, the women give an insight into NZ history in the 1900s. The women speak frankly about their lives, with often very moving stories of losing boyfriends and family members to the world wars, having small children die from illnesses that would now be easily treatable, getting married with no knowledge of the facts of life, and dealing with illegitimate babies from liaisons with American soldiers.
This fondly-remembered Pictorial Parade plunges down the famously steep grade of the Denniston Incline. The cable railway was the key means of transporting ‘black gold’ from the isolated Denniston Plateau to Westport. The engineering marvel fell 518 metres over just 1670 metres. It brought down 13 million tonnes of coal and many hardy families, despite notorious brake failures. This film was made just before the mine and railway ceased operating, as “old king coal” was supplanted by oil. Director Hugh Macdonald writes about making it, and a companion film, here.
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.
Director Florian Habicht returns to his Northland home turf to chronicle the annual Snapper Classic Fishing Contest, in this full-length documentary. First prize is $50,000, but the participants chase the joy of the cast as much as the purse. The solitary figures on the epic sweep of Ninety Mile Beach provide poetic images, as Habicht teases out homespun philosophy while fishing for answers on love, the afterlife and whether fish have feelings. The soundtrack features 50s style instrumentals from Habicht regular Marc Chesterman, plus singalongs on the sand and at the local pub.
This Contact episode goes behind the scenes on a big budget commercial from the early days of the Kiwi film renaissance: a 1982 Crunchie bar ad which owes so much to Star Wars, the film crew even call their villain Darth. After 12 hour days working inside the Waitomo Caves, a move to Ninety Mile Beach sees the weather playing havoc with sets and schedules. Seeking fresh faces, commercials king Geoff Dixon (Crumpy and Scotty) cast his lead actors in Australia. Television adverts were even made to announce the arrival of the ad — which plays over the closing credits.
Veteran weatherman Jim Hickey sums up A Flying Visit at the start of the first episode: “We’re going to be visiting some of the more unusual and out of the way places, and I’ll be chatting with the locals and they can tell me what makes their little place tick”. He touches his Cessna 182 down on NZ’s northernmost airstrip, meets a pig hunting nana, flies by the lighthouse and Ninety Mile Beach, then crosses to Russell to meet a boogie-boarding dog, a lawn-mowing goat, a uniquely-painted ute — and check out some history. Then it's a flying visit to giant kauri Tāne Mahuta and its kai cart.
This NFU tourism promo from 1986 showcases all that the north of the North Island has to offer. As holidaymakers Dave and Julia peruse the sights and sounds of Auckland, they provide a high speed guided tour of its nightlife and many attractions. After Julia exits unexpectedly for LA — possibly to moonlight on another tourist film — Dave is joined by Jacky. The two venture up to Ninety Mile Beach and, after exploring the native bush and enjoying a spot of fishing, end their stay with a bonfire by the sea, a stark contrast to the cosmopolitan delights of Auckland.
Clash of the Codes was a made-for-TV series that pitted teams representing various sports against each other in a series of devised physical challenges. In this final episode from the first series, rowing and canoeing are the frontrunners, with plenty of Olympic podium experience on both teams (Ian Ferguson, Eric Verdonk and Chris White, plus world champ sculler Phillipa Baker). They tackle a steep bush rescue and the army confidence course at Whangaparaoa Peninsula. A young Marc Ellis (rugby) gets early practice playing the larrikin onscreen.
In these excerpts from TV2's late night news show, Simon Dallow watches new American boy band All-4-One perform in an Auckland record store and interviews them about the trappings of fame. Meanwhile, Marcus Lush channels Country Calendar as he investigates a novel new agri-business venture: an emu and ostrich farm near Katikati (although it's unlikely his colleagues on TVNZ's venerable rural show ever gave their watches to animals to play with). Lush's verdict? The world's biggest living birds ("because we killed the moa") are "more fun than sheep".