Made in 2001, documentary Ōtara Market visits the biggest outdoor market in New Zealand, held every Saturday in the heart of South Auckland. Presented by Samoan writer and comedian Oscar Kightley (bro'Town, Sione's Wedding) the colourful documentary tells the stories of the multicultural Polynesian, Asian, Indian and Pākehā Kiwi stallholders at one of the country's best known community institutions. Lisa Taouma (website The Coconet) directs. 

Postwar Māori, Pākehā and Pacific Island migrants made Ōtara the fastest growing area in New Zealand. But as local industries closed, it became a poster suburb for poverty and crime. This TV3 Inside New Zealand documentary sees eight successes from Ōtara telling their stories — from actor Rawiri Paretene and MP Tau Henare, to teachers and entrepreneurs. They reflect on mean streets, education, community and the Ōtara spirit. The first documentary from Ōtara-raised producer Rhonda Kite (who is also interviewed), it won Best Māori Programme at the 1999 NZ TV Awards.

From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.

Black, white and red exuberance abound in this award-winning music video from Supergroove. The band's funk-heavy live performance is intercut with scenes of the band clowning around at the Otara Market, on a Three Kings volcano, and crowded into the back of an open-top VW. The hairstyle of vocalist and future Cambridge classics scholar Karl Steven — shaved, aside from an extended fringe arrangement at the front — is a relic from another era. An alternative video made for the same song revolves around the band doing everything backwards.

Mai Time was an influential magazine show for Māori youth, screening for a decade on Saturday mornings on TV2. This episode looks at the place of ta moko (tattoo), interviewing Robert Ruha, a 27-year-old with a full-face moko. Mai Time crew visit Otara Music Arts Centre, a Matariki exhibition at Whaingaroa (Raglan), and then artist Lisa Reihana finds “more mean art by the sea”: Brett Graham and Rachel Rakena’s Aniwaniwa exhibition at the 52nd Venice Biennale. Aptly, the artwork explores the 1947 flooding of the village of Horahora for a hydroelectric scheme.

Neighbours at War was a popular and long-running TV2 reality show. In this opening episode from the show’s second series, an Otara fence is a battle line in a bitter territorial dispute between Lois and Alec. The mediator is Labour MP for Otara Ross Robertson, who draws on Winston Churchill, General Douglas MacArthur and aroha in an effort to broker peace — amidst allegations of rubbish and porn mags on one side, and swear words and brown eyes on the other. Narrator Bill Kerton’s puns and some choice sound effects punctuate the neighbourly nastiness.

This 2015 Loading Docs short follows Tihei Harawira as he freestyle raps at Otara Markets. Diagnosed with autism and dyslexia as a child, Harawira didn’t ‘fit’ and was the victim of bullying. But an appreciative audience at the flea markets — where he busks ad hoc rhymes set to a beat box — have enabled Tihei to find his voice. ‘Tihei’ means “the breath of life”, a name he was given by an aunty after being resuscitated at birth. Tihei was directed by Hamish Bennett and produced by Orlando Stewart, the team behind 2014 NZ Film Festival award-winner Ross & Beth.

Presented by Niuean broadcaster Foufou Susana Hukui, this first episode of the long-running Pasifika current affairs series includes items on Cook Islands dance, the “Otara flea market”, and NZ work schemes for islanders. Samoan Maligi Elvie presents South Pacific news, while Vainetutai Temaeva-Nicholls covers the Cook Islands. Debuting on 4 April 1987, the TVNZ series broke ground as the first NZ television show to focus on PI stories (earlier show See Here was aimed at both Māori and Pasifika audiences). Researcher Iulia Leilua went on to report for Native Affairs. 

Reporter Neil Roberts ventures into South Auckland in this TVNZ documentary, and finds two rapidly growing but very different communities. Otara and Mangere are becoming New Zealand’s industrial powerhouse, but a huge influx of Māori and Pacific Island workers and their families are struggling to adapt in a brand new city that was farmland just decades earlier, and lacks amenities for its new citizens. Meanwhile, to the east, Howick and Pakuranga are also booming but their more upwardly mobile, prosperous and very Pākehā citizens seem to be living in a world of their own.

"E tu stand proud, kia kaha say it loud", Dean Hapeta's lyrics typify the socio-political messages in NZ's early rap music. The four elements of hip hop: breakdancing, graffiti, DJ-ing and rap are examined through interviews with key players in the hip hop scene (including King Kapisi, Che Fu, Upper Hutt Posse). A recurring theme in the Sima Urale-directed documentary is that local hip hop artists are less interested in the "girls, booze and bling" school of hip hop, and more interested in using their art to make a political statement.