This 1944 newsreel documents arrivals at a Wellington wharf from the Middle East: New Zealand soldiers and Polish children. For the refugees it was the conclusion of an epic wartime survival tale: an exodus from Poland via Siberian labour camps, to being greeted by Prime Minister Peter Fraser in NZ. The Poles then take the train past waving crowds to their new home: a camp in Pahīatua. Twenty years later the children were revisited in Kathleen O’Brien’s classic 1966 documentary The Story of Seven-Hundred Polish Children.
This edition of Great War Stories accompanies author Shona Riddell to Berhampore Primary School in Wellington, where she reads her story of a pet tortoise that she grew up with. It was taken from the trenches of Gallipoli by a soldier, gifted to hospital nurse Nora Hughes (Riddell’s great aunt), then transported to New Zealand, where the tortoise’s adventures didn’t end: he made local news on a walkabout to Mangatainoka Brewery. The series of short documentaries screened during TV3’s nightly news, as part of centennial commemorations of World War l.
In 2009 Māori Television rebooted the classic game show first hosted by Selwyn Toogood. In this episode from the fifth season, Stacey Daniels Morrison and Pio Terei take the popular roadshow to Masterton in the Wairarapa. Contestants answer locally themed questions (ranging from local iwi to Brian Lochore, Jemaine Clement and Ladyhawke), and earn the right to barter for the money or the bag. But as Morrison says, “remember that lurking in some of those bags are the boobies…”. Prizes include a basketball stands, a 50 inch TV and the MultiKai cooker.
This 1967 documentary tells the story of 734 Polish children who were adopted by New Zealand in 1944 as WWII refugees. Moving interviews, filmed 20 years later, document their harrowing exodus from Poland: via Siberian labour camps, malnutrition and death, to being greeted by PM Peter Fraser on arrival in NZ. From traumatic beginnings the film chronicles new lives (as builders, doctors, educators, and mothers) and ends with a family beach picnic. Made for television, this was one of the last productions directed by pioneering woman filmmaker Kathleen O'Brien.
In the course of a 32-year career, Rod Cornelius experienced seismic changes within New Zealand’s television industry firsthand. From his first job with the NZ Broadcasting Corporation through the turbulent remakings of state television in the late 80s and 90s, Cornelius held several key management roles — including TVNZ Controller of Programming and Managing Director of Avalon Studios.