He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.
In the first episode of this dramatic mini-series based on the 1888-89 tour of Great Britain by the NZ Natives rugby team, Pony (Peter Kaa from movie Te Rua) must leave his mother (Rena Owen) and grandfather (Wi Kuki Kaa), to join the side. His motivation isn’t just rugby related — he hopes to find his English father who he has never met. The Natives have an early supporter in an Earl (Ian Richardson of House of Cards) who is a rugby fan intrigued by the novelty of these “savages”. Meanwhile, his granddaughter (Liza Walker) discovers an interest of her own — Pony.
In the second episode of this drama based on the 1888-89 tour of Great Britain by the NZ Natives rugby team, Pony — one of the side’s stars — is courted by society and invited to shoot with the Prince of Wales; and his Māori blood is also a novelty in the music halls. He’s hoping to renew his acquaintance with Charlotte — the granddaughter of a rugby loving Earl — but there are matches to be played in London. Locating his English father is far from heart warming, but his disappointment is more than compensated for as Charlotte follows him to the city.
In the third episode of this drama based on the 1888-89 tour of Great Britain by the NZ Natives rugby team, the romance between Pony and Charlotte is gathering momentum. Charlotte’s grandfather — the Earl — might be alarmed by the tryst, but the Cambridge University rugby team has a far blunter way of expressing their displeasure with a Māori rugby player trying to cross class and racial lines. In the face of such opposition, Charlotte and Pony attempt to follow their hearts, but can they resist the pressures now being exerted by both of their cultures?
Play School (1972 - 1990) was an iconic educational show for pre-school children. The opening sequence — "Here's a house ..." — and the toys (Big Ted, Little Ted, Jemima, Humpty, Manu) were the stars. This compilation reel of various presenters features two excerpts from 1980: Barry Dorking and Jacqui Hay (future National MP), and Dorking solo; one from 1982: actor Rawiri (Whale Rider) Paratene with Winsome Dacker; and two from 1987: Eilish Wahren with Kerry McCammon, and Russell (Count Homgenized) Smith and actress Theresa (Shortland St) Healey.
Play School was an iconic educational programme for pre-school children, which was first produced in Auckland from 1972, then Dunedin from 1975. The format included songs, a story, craft, a calendar, a clock and a look outside Play School via the shaped windows. But the toys, Big Ted, Little Ted, Jemima, Humpty and Manu, were the real stars of the show. The title sequence ("Here's a house ...") and music were a call to action recognised by generations of Kiwis. Presenters included actors Rawiri Paratene and Theresa Healey, Russell Smith and future MP Jacqui Hay.
Where would New Zealand culture be without our own music? In this video celebrating NZ On Air's 30th birthday, Mike Chunn (founder of the Play It Strange Trust) describes the 2007 documentary series that followed a group of promising teenage songwriters as they honed their compositions — with help from Play It Strange judges and mentors like Jordan Luck. Chunn is overcome with emotion as he describes the feedback he receives from parents of those involved with the programme, while Luck feels "honoured" to have worked with young musical talent.
Created for television by author Maurice Gee, The Fire-Raiser pits a quartet of smalltown school kids against a balaclava-clad figure with fire on the brain. In this episode, the children sneak onto the property of the man they suspect of terrorising their town. The police arrive after Kitty is trapped inside a room that has tragic memories for the suspect’s mother, the memorably moody Mrs Marwick. This WWI-era gothic adventure went on to score four Listener TV awards, including best drama; and Gee’s accompanying novel was published both here and overseas.
This three part mini-series is loosely based on the remarkable tour by the NZ Natives rugby team which played 107 games in Australasia and Great Britain in 1888-89. At its heart is a cross-cultural love story between Pony — the grandson of a chief and one of the side’s stars — and Charlotte: the granddaughter of an English Earl (Ian Richardson of House of Cards fame). The tour provided the first exposure to Māori for many in the UK. The interaction could be uncomfortable but even more so when affairs of the heart threatened the cultural divide.
This item from arts show Frontseat asks whether it is right for actors to portray other races than their own. Samoan Kiwi David Fane — who won both fans and criticism, after voicing Jeff da Māori on bro'Town — argues that playing another ethnicity is only an issue when the actor does a bad job. Actor Rachel House (Whale Rider) raises wider issues of indigenous people telling their own stories; and Cliff Curtis, known for a wide range of ethnicities on screen, says he needs to be just as careful playing Māori of other iwi, as when he is playing other races.