This documentary follows the 1973 Heatway Rally, a mud and oil-splattered event in which 120 drivers covered 3600 miles over eight days. Directed by future advertising legend Tony Williams, it was a major logistical exercise, with five camera units, shot by a who’s who of the 70s New Zealand film industry. In addition to high speed on-and-off road action, it includes an explanation of what co-drivers actually do, a chance for a driver’s wife to ride in a rally car, and driving and cornering montages set to orchestral accompaniment. It won the 1974 Feltex Award for Best Documentary.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
It seems a fascination with going fast is built into human DNA. Covering distance in the shortest amount of time has long captured our imagination. From muscle-powered freaks of nature (thoroughbred horses, falcons, Peter Snell) to motorhead mayhem, from Formula 1 legends to front-running design innovation, this collection celebrates the particularly Kiwi 'need for speed'.
A series of comical graphics introduce this 1966 National Film Unit diversion, in a style animator Terry Gilliam would soon make famous via British comedy shows Do Not Adjust Your Set and Monty Python's Flying Circus. The film itself follows a reporter (Michael Woolf) on a jaunt with an international 'veteran car rally' through Southern Lakes scenery, trying to make sense of it all. As he says, "there don’t seem to be any rules to this vintage motoring business". Directed by John King, the playful film features a dubbed soundtrack, complete with sheep baas and car horn sound effects.
A rod and rally race is the angle for this 1969 light comedy. Legendary angler ‘Maggots’ McClure lures “glamour boy” lawyer and fishing novice Applejoy (Peter Vere-Jones) into a contest to catch three trophy fish in Russell, Taupō, and Waitaki. The old dunga versus Alvis ‘Speed 20’, north versus south duel transfixes the nation; snags, shags and scenic diversion ensue. Directed by noted UK documentary maker Derek Williams, the caper was made with NFU help and funded by energy company BP. It showed with Gregory Peck western The Stalking Mood in New Zealand theatres.
This documentary follows the Vintage Car Club of New Zealand on a 1985 commemorative tour. On 24 March 1985, over 90 vehicles and their owners gathered in Invercargill to honour a century of motoring. Then the Vauxhalls, Chevrolets and Fiats embark on a reverse Goodbye Pork Pie as the lovingly-restored vintage cars head from the deep south all the way to Cape Reiga, meeting Prime Minister David Lange en route. A rare directing credit for veteran cameraman Allen Guilford, Milestones is narrated by John Gordon, who swaps A Dog's Show commentary for motoring trivia.
In each episode of this garden makeover show, Jim Mora and the Mucking In team rallied together locals to reward a community hero with a surprise garden. The long-running format was described by TV reviewer Trevor Agnew as "the caring face of reality TV". It won Best Lifestyle Programme at the 2004 Qantas Media Awards, and spawned a tie-in book in its final year. Said Mora: "You met the best people in New Zealand and all their nice mates. It was probably the nicest thing that anyone in television would ever have the chance to do."
Richard Driver files this 1988 Radio with Pictures report from a Waitemata Stadium concert cobbled together after the failure of music festival Neon Picnic. He interviews The Chills, Graham Brazier and Live Aid legend Bob Geldof. Geldof, along with Tim Shadbolt and Phil Warren, had come to the aid of music fans by organising the consolation gig at the last minute. Geldof rates Neon Picnic’s demise as an international embarrassment. But he praises the local music community for rallying behind the replacement gig, and admits he enjoyed the rush of helping organise it.
In this video billowing sails and an impressive array of mid-80s celebrities (musicians, broadcasters, sportspeople) raise their voices in patriotic fervour, to rally support for the first Kiwi challenge for the America’s Cup: “in a boat just called New Zealand”. The bid failed, but ‘Sailing Away’ set a record for the most consecutive weeks at number one by a NZ artist (nine), until the arrival of Smashproof’s ‘Brother’ in 2009. The tune — borrowed from ‘Pokarekare Ana’ — remains both as a reminder of simpler times in the America’s Cup, and an era of questionable haircuts.
In the vein of 'We are the World' and 'Do They Know It’s Christmas', 'Don’t Go' rallied NZ musicians to express their opposition to the proposed 1985 All Black tour of South Africa. Don McGlashan, Chris Knox and Rick Bryant were the front row for this one-off single: a catchy number written by McGlashan, Frank Stark and Geoff Chapple. The video — directed by Alison Maclean and shot by Stuart Dryburgh — never attempts to get in the way of the message, placing the ensemble cast in front of red, white and black backdrops (interspersed with rugby imagery).