Although there have been many moments of gold across Shortland Street's 6000 plus episodes, this scene shines worryingly bright and loud. The clip comes from a 2001 episode where the hospital staff put on a live musical. Shortland longtimer Chris Warner (Michael Galvin) dons a sparkly suit, so he can trade raps and swords with a dreadlocked figure in black (aka Doctor Victor Kahu, played by Calvin Tuteao). But when the villain refuses to die, Warner is not amused. Galvin has expressed relief that the episode screened so soon after the events of September 11, and few people saw it.
This collection celebrates women and feminism in New Zealand — the first country in the world to give all women the vote. We shine the light on a line of female achievers: suffrage pioneers, educators, unionists, politicians, writers, musicians, mothers and feminist warriors — from Kate Sheppard to Sonja Davies to Shona Laing. In her backgrounder, TV veteran and journalism tutor Allison Webber writes how the collection helps us understand and honour our past, asks why feminism gets a bad rap, and considers the challenges faced by feminism in connecting past and present.
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
"E tu stand proud, kia kaha say it loud", Dean Hapeta's lyrics typify the socio-political messages in NZ's early rap music. The four elements of hip hop: breakdancing, graffiti, DJ-ing and rap are examined through interviews with key players in the hip hop scene (including King Kapisi, Che Fu, Upper Hutt Posse). A recurring theme in the Sima Urale-directed documentary is that local hip hop artists are less interested in the "girls, booze and bling" school of hip hop, and more interested in using their art to make a political statement.
This 2015 Loading Docs short follows Tihei Harawira as he freestyle raps at Otara Markets. Diagnosed with autism and dyslexia as a child, Harawira didn’t ‘fit’ and was the victim of bullying. But an appreciative audience at the flea markets — where he busks ad hoc rhymes set to a beat box — have enabled Tihei to find his voice. ‘Tihei’ means “the breath of life”, a name he was given by an aunty after being resuscitated at birth. Tihei was directed by Hamish Bennett and produced by Orlando Stewart, the team behind 2014 NZ Film Festival award-winner Ross & Beth.
This episode of the early 90s political chat show sees ringmaster Bill Ralston, lawyer Trevor de Cleene, RNZ political editor Richard Griffin, North & South editor Robyn Langwell and broadcaster Leighton Smith vigorously debating parliamentary filibusters; whether Kiwis are sexual puritans (in the wake of Nightline’s notorious '69-in-60' sex position broadcast); and whether NZ youth is a generation lost to sex, suicide and car crashes. Ralston argues “the wowsers are winning again”; Langwell correctly predicts the end of paper The Star, and Smith predicts a Wallabies win on Saturday.
This episode of C4's music series Homegrown Profiles features hip-hop star Che Fu, who began his music career with high school band The Lowdown Dirty Blues Band, which later evolved into 90s chart-toppers Supergroove. Che Fu talks about his messy split from Supergroove, and how the huge success of the single 'Chains' (with DLT) wasn't enjoyable because he was still upset by what had happened with the band. He also talks about the making of his three solo albums. Since this documentary was made in 2005, Che Fu and Supergroove have reconciled for reunion gigs.
The theme for 2016’s batch of Loading Docs was 'change'. This entry stretches the boundaries of documentary, as two high school students engage in an impassioned piece of performance poetry. Mount Albert Grammar School's Jahmal Nightingale and Joseph McNamara film themselves performing their own poetic clarion call for change. The two Gen-Z teens wander Auckland and muse on body image, booze, racism, sexism, and the apocalypse. Director Brendan Withy and producer Doug Dillaman first saw the duo at high school spoken word competition WORD - The Front Line.
This militant debut from rappers Upper Hutt Posse marked New Zealand’s first hip hop record. Dean Hapeta announces himself with a history lesson proudly namechecking the great Māori warrior chiefs of the 19th Century — Hōne Heke, Te Rauparaha, Te Kooti — and their Māori Battalion successors. ‘E Tu’ is also a personal manifesto, with promises to preach the truth but not to brag or wear gold chains. Hapeta's down the barrel delivery carries a degree of confrontation rarely seen from New Zealand musicians up to that point.
This 2017 Loading Doc profiles Dominic Hoey (formerly known as rapper Tourettes) as he prepares a play about his battle with debilitating bone disease. Hoey, whose career clocks everything from punk drummer to poems in Landfall, brings a trademark rebel spirit as he reflects on his condition — and the challenges it gives to an artist renowned for his high voltage performances. Hoey was determined the portrait avoid being a pity fest, and collaborated with directors Damian Golfinopoulos and Stjohn Milgrew on the script. The result mixes interview, poetry and archive.