Winemaker Lionel Collard broke new ground in the 1980s when he began inviting Kiwi artists to decorate his wine labels — breaking the trend of plain, to the point text. Collard started with Billy Apple. Later artists to feature on Collard Brothers bottles included Pat Hanly, Philippa Blair, Gavin Chilcott and Carole Shepheard. They talk about their art in this documentary. Wine writer Keith Stewart praises the art-infused labels for embodying the idea that winemaking is an artform. Wine seller Joe Jakicevich vouches for the commercial benefits of the vibrant, eye-catching labels.
Directed by Sam Pillsbury, this 1974 film observes Ralph Hotere — one of New Zealand’s greatest artists — at a moment when excitement is gathering about his work. Lauded as a “classic” by Ian Wedde, the documentary is framed around the execution of a watershed piece: a large mural Hotere was commissioned to paint for Hamilton’s Founders Theatre. Interviews with friends and associates — poets Hone Tuwhare and Bill Manhire, art critics, officials and dealers — are intercut with fascinating shots of Hotere working (including making art by photocopying or 'xerography').
Ralph Hotere (Te Aupōuri) is regarded as one of New Zealand's greatest artists. This documentary by Merata Mita provides a perspective on his world, largely by way of framing his extensive body of work. Hotere remains famously tight-lipped throughout, but there are interviews with artists, friends and commentators, alongside scenes of Hotere working and of his contemporary home context. Mita's impressionistic film is set to a Hirini Melbourne-directed score of jazz, māori and pop songs, and poetry reading by Hotere's first wife Cilla McQueen.