This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
This documentary follows the then world champion All Blacks on a 1989 tour of Wales and Ireland. With star winger John Kirwan as guide, 'The All Black Film Unit' gives a players’ insight into an international tour in pre-professional, pre-media trained times — there’s even a plate of oranges. Match, training, and travel footage is complemented by relaxed encounters with players (Zinzan Brooke mounting a shetland pony has entered rugby folklore). Producer Ric Salizzo repeated the recipe — sports fandom mixed with schoolboy pratfalls — in the successful Sports Cafe series.
This 1968 segment from an early Sunday night magazine show provides light-hearted visuals for a classic Kiwi song. Though written by Rod Derrett as a parody, 'Rugby, Racing and Beer' became an unofficial national anthem of the 60s, where it was an icon of the Kiwi male's recreational trio of choice. The clip takes the perspective of a "little shaver" being educated in his national heritage by various footy-playing, boozing'n'betting paternal role models (aka blokes afflicted with 'Kiwiitis'). The early New Zealand music video finishes with scenes of packed terraces at Athletic Park.
This excerpt from a post-war NFU newsreel begins at Eden Park for a match between Auckland and the ‘Kiwis’ (the army’s NZEF team), then goes on a jaunty ride through all-things rugby in NZ: from 1st XV (Wellington College), club and provincial (Ranfurly Shield in the Southland rain) clashes, to boot-making and badge selling on match day, with rugby’s centrality to the Kiwi psyche underlined throughout. “Rugby’s never over, though the crowds stream home from Eden Park or any place we play, to fans and players alike it will always be a part of our national life!”
Keith Quinn is part of the fabric of Kiwi TV and sporting history. On hand to commentate and write about many of our key sports moments - rugby and otherwise - over almost four decades, Quinn called his first rugby match for TV in 1973, and was part of the 2011 Rugby World Cup team for Māori Television.
This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.
Buckle up as we blast from the past Russ le Roq, gameshow host Paul Henry, tweenaged Kimbra and catwalk model Rach. Paul Casserly primes the collection: "pig out on these pre-fame Kiwis, gaze upon their fresh faces and remember the good times, before they were famous, before they became household names, movie stars, action figures and flavours of ice-cream."
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
November 2019 marks 30 years since New Zealand television’s third channel first went to air. As this collection makes clear, the channel has highlighted a wide range of local content, from genre-stretching drama (Outrageous Fortune, The Almighty Johnsons) to upstart news shows (Nightline), youth programming (Ice TV, Being Eve) and many landmarks of Kiwi screen comedy (7 Days, bro’Town, Pulp Comedy). As the launch slogan said, "come home to the feeling!" In this background piece, Phil Wakefield ranges from across the years, from early days to awards triumph in 2019.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.