This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
This special edition of the National Film Unit’s monthly magazine series looks at some of the “people, places and events filmed by our cameramen during the years 1941 - 1962”. The NFU’s 21st birthday review — compiled by David H Fowler — ranges from wartime newsreels to the post-war boom (factories, dams, industrial agriculture), from salvos to Peter Snell. Other images include Kiwi soldiers playing rugby in Korea, and cigarettes hanging from the lips of firemen fighting Christchurch's Ballantyne Department Store fire in 1947.
This final edition of the 1992 celebration of New Zealand Rugby runs from grand slam success to the cusp of the professional era. But in-between, rugby and politics combusted. When the Springboks, representing apartheid South Africa, toured NZ in 1981, barbed wire, flour bombs and riot police were match fixtures. Kiwis were either for or against. The tour’s aftermath and public disillusionment with the sport found relief in 1987, when the All Blacks won the first Rugby World Cup; three undefeated years followed. Three NZRFU centennial tests close the series.
The theatre of sport is given full-blown operatic treatment in this National Film Unit classic. Footage from the French 1979 rugby tour of New Zealand is rendered in slow-motion and cut to a Tchaikovsky score. The result is an often glorious, sometimes tongue-in-cheek, paean to rugby. Balletic lineouts, driving tackles, and the dark mysteries of the ruck, make for a ballsy Swan Lake in the mud. It includes the Bastille Day French victory over the All Blacks. Directed by NFU stalwart Arthur Everard, it won a jury prize at the Montreal World Film Festival.
Merata Mita’s Patu! is a startling record of the mass civil disobedience that took place throughout New Zealand during the winter of 1981, in protest against a South African rugby tour. Testament to the courage and faith of both the marchers and a large team of filmmakers, the feature-length documentary is a landmark in Aotearoa's film history. It staunchly contradicts claims by author Gordon McLauchlan a couple of years earlier that New Zealanders were "a passionless people".
This National Film Unit documentary follows the British Lions 1959 rugby tour to New Zealand. Prior to live televised sports coverage, match highlights were rushed onto cinema screens; NFU tour coverage was later edited into this feature length doco. On the field the series was won by the All Blacks 3-1, including the first test where Don Clarke famously kicked six penalties to beat the Lions’ four tries. Off the field, the Lions visited farms and resorts, drove trout and tried Māori song and dance with guide Rangi. A star back for the Lions was Peter Jackson.
A Political Game charts not only intense rugby rivalry between South Africa and New Zealand, but also the politics of racism that came increasingly to the fore. The signs were there during the Springboks first tour of New Zealand in 1921: a South African reporter was outraged white New Zealanders had supported a Māori side. In 1976 an All Black tour of South Africa sparked an African boycott of the Montreal Olympics; the 1981 tour saw violent protests. Starting with the historic All Blacks win in 1996, this excerpt jumps back in time to chart conflicts on and off the field, up until 1949.
Men of the Silver Fern was a four-part celebration of all things All Black, made in 1992 for the centenary of the NZRFU (now known as New Zealand Rugby). This first episode covers the early period from when Charles Monro kicked off the sport in NZ in Nelson on 14 May 1870, through the establishment of rules, provincial unions and the New Zealand Rugby Football Union. The programme surveys the front-running international tours — from the 1884 Flaxlanders to the 1888 Natives, 1905 Originals and 1924 Invincibles — where the All Blacks’ "winning reputation" was forged.
Young Geoff Garlick reckons he's developed a game-winning move - the 'Garlick Thrust' - for his schoolboy rugby team, but the Saturday he hopes to show it off to his dysfunctional family they're more interested in the Springbok match. The national loss of innocence the '81 tour represented is captured in an end scene, where Geoff and his weeping Dad (Michael Noonan) are intercut with clips of a notorious stand-off between tour protestors and rugbyheads. Written by playwright Bruce Mason, this was one of a three TV dramas written as he was battling cancer.
This fourth episode in Prime’s series on Kiwi television history series charts 50 years of sports on TV. Interviews with veteran broadcasters are mixed with clips of classic sporting moments. Changes in technology are surveyed: from live broadcasts and colour TV, to slo-mo replays and CGI graphics. Sports coverage is framed as a national campfire where Kiwis have been able to share in test match, Olympic, Commonwealth and World Cup triumphs and disasters — from emotional national anthems and inspirational Paralympians, to underarm deliveries, snapped masts and face-plants.