Record label Flying Nun is synonymous with Kiwi indie music, and with autonomous DIY, bottom-of-the-world creativity. This collection celebrates the label's ethos as manifested in the music videos. Selected by label founder Roger Shepherd: "A general style may have loosely evolved ... but it was simply due to limited budgets and correspondingly unlimited imaginations."
Heartland host Gary McCormick visits 'New Zealand's last frontier' - Haast on the West Coast. It's whitebait season, and Haast's population has increased five-fold. McCormick talks to whitebaiters on the Arawata River and a Department of Conservation Ranger, visits a "secret whitebaiters' town" and helps local residents prepare for the annual Whitebaiters' Ball. When McCormick asks what the best line for getting a girl to dance is, one of the locals tells him to say, "I've got a Valiant". The programme also touches on the tensions between some residents and conservationists.
Presented by Kiwi TV pioneer Shirley Maddock, Islands of the Gulf was New Zealand’s first locally made documentary series. In this episode Maddock makes the 50 mile seaplane flight from Auckland to Great Barrier. Accompanied by ever present birdsong, she proves an eloquent, attentive guide to ‘The Barrier’. She recounts the SS Wairarapa tragedy and pigeon post, tramps to old kauri dams, and surveys the quirks of transport for the 240 people then living on the rugged bush-clad island, from the Land Rover-driving nurse, to a Chrysler taxi once owned by Al Capone.
Heartland host Gary McCormick hunkers down in the Catlins ("New Zealand the way it used to be"), the wild southern coast stretching between Invercargill and Balclutha. After watching the action at school sports day, he discovers a rural community revolving around family, church and pub. Interviewees include a Metallica-loving teenager who has just bought his second car, for cruising; and spoon collector Kitty 'Granny' Burgess. He also visits a rugged Long Point farm to check out rare yellow-eyed penguins (hoiho), who look very punk during moulting season.
This Landscape doco looks at the muttonbirding culture of the deep south, as Rakiura (Stewart Island) Māori exercise their customary right to harvest the birds for food, oil and feather down. The hunt begins with a rugged trip to the islands where hundreds of thousands of tītī (or sooty shearwater) arrive annually to breed. The kinship of birding is evident as families (and a poodle) set up camp. Soon the salty kai is plucked from burrows and sent by wire downhill to the ‘pluckhole’. This was an early gig for director Bruce Morrison (Heartland, Shaker Run).
This documentary turns the lens on acclaimed photographer Andris Apse. The Latvian war refugee later joined the Forest Service, where he was inspired by lensman John Johns and Fiordland; a chance break taking scenic shots for Air New Zealand empowered Apse to pursue his passion: wilderness photography. From his Okarito home and in the wild, Apse muses on the rugged demands of capturing an image and the "stubborn determination" of his craft. From Time to National Geographic, his photos have helped define Aotearoa as a theatre country of epic, elemental landscapes.
Mum is cornrowing Dad’s hair for a costume party in this final episode inspired by the lyrics of a track sent in by a series' fan (“Halloween party, Halloween!/ Halloween party, Halloween!”). Cousin Ira lures the twins into the lair of enemy band the Rugged Sharks, where they realise they are the wait staff. No one gets Kowhai’s Riddler costume and Monty drinks to ease the pain. This 10-part animated music biz satire stars Jessica Hansell and Rizvan Tu’itahi as Kowhai and Monty Hook; Madeleine Sami as mum; Frankie Stevens as dad and Scotty Cotter as cousin Ira.
The Hooks’ blissed out mum (Madeleine Sami) has a vision of a Reiki studio in her basement, displacing the twins’ practice room in this eighth episode of animated series Aroha Bridge, based on Jessica Hansell’s comic strip Hook Ups. After answering an ad, the twins end up sharing rehearsal space with pretentious synth outfit the Rugged Sharks, but their music is not quite as crap as it first seemed, leading Kowhai to consider ripping them off. Hansell aka musician Coco Solid and Rizvan Tu’itahi star as a band from the ‘burbs dreaming of the big time.
This 1963 film looks at how the development of high country aviation is taking on the challenges presented by the South Island’s rugged geography. Piloted by war veterans, small aircraft parachute supplies into remote locations for Forest Service hut building and service lighthouses. Meanwhile helicopters and airlines open up opportunities for industry (venison, tourism, forestry, topdressing) and recreation (fishing, hunting). Good keen men, smokos and Swannies abound in this classically-filmed National Film Unit documentary.
This ‘salvagepunk’ film is set in a desolate future where wind turbines power a vast electric fence that seemingly protects the survivors of environmental collapse, and keeps refugees out. A rare entry in the Kiwi sci-fi feature catalogue, Existence stars Loren Taylor (Eagle vs Shark) as Freya, a mother who dreams of the world beyond, and Matthew Sunderland (Out of the Blue) as a mysterious boundary rider. From a SWANZ award-winning script, the low budget film was shot on Wellington’s rugged south coast hills. It marked the feature debut of director Juliet Bergh.