In this June 1993 final of the successful quiz show, returning contestant Tony competes for a hand-knitted rug, a $16,000 US trip, and a box possibly containing a $29,000 Mitsubishi Mirage. Facing off against him are a policy services officer, and a hotshot language tutor who lived seven years in a barn. Aside from the nailbiting question rounds, highlights include Steve Parr’s opening slide, Jude Dobson’s dress, and male models in bright yellow overalls. This episode marked the end of Sale’s first local incarnation, after 1000 plus episodes on air. A short rebirth followed on TV3.
As part of the radical 80s neoliberal reform of the public and corporate sector in New Zealand, many government-run assets were turned into state owned enterprises; some were sold off to foreign buyers. Screening on TV3, this 1991 film, written by Metro columnist Bruce Jesson, examines the controversial programme by asking “who owns this country and who controls it?”. Those answering range from businesspeople to politicians, academics, journalists, vox pops and critics of the ‘cashing-in’, from the Hamilton Jet family to UK environmentalist Teddy Goldsmith.
The Kiwi edition of Sale of the Century is perhaps best remembered for Steve Parr’s opening slide to the podium. Prize-winners may have different recollections. “New Zealand’s biggest bargain sale” dangled the possibility of new cars and overseas travel. The show debuted in the United States in 1969, but had its greatest success after a 1980 relaunch by Australian company Grundy. The Aussie version ran almost 30 years, spawning versions in multiple countries. The NZ edition played for four seasons on TVNZ, before a short rebirth on TV3.
This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.
Jude Dobson became famous in New Zealand as co-host of nightly game show Sale of the Century. She went on to present a range of lifestyle series on TVNZ including Open Home, Alive and Kicking, and NZ Living. In 1997 she began hosting five nights a week magazine show 5:30 with Jude. Since then she has set up her own production company and produces media content about parenting.
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.
A classic case of the little movie that could, Second-Hand Wedding is a feel-good tale of garage sales, and the ties that bind. Worried that her mother’s zeal for bargains might ruin her big day, Cheryl (Holly Shanahan) delays unveiling her wedding plans. When Mum (Geraldine Brophy) finds out the information second-hand, she does not react well. Both actors won NZ Film and TV Awards for their work, and the Kapiti Coast-set film was a bonafide Kiwi hit: breaking out from its independently made origins into the all-time Top 10 for NZ films at the local box office.
This April 2001 report comes from a function to farewell film salesman Lindsay Shelton. Over 22 years at the NZ Film Commission, Shelton played a key role in selling Kiwi films to overseas markets, including Goodbye Pork Pie, An Angel at My Table, and Once Were Warriors. Those on hand in Wellington to salute his efforts include Film Commission Chief Executive Ruth Harley – who praises Shelton’s "remarkable optimism about New Zealand films" – and directors Vincent Ward, Jane Campion, Peter Jackson (via video link), and John O'Shea, who calls Shelton the "backbone" of the NZFC.
This 1978 documentary casts a critical eye over a depressed NZ music industry, and asks what has changed since its 60s glory days of pop stars, screaming fans and C’mon. By the late 70s, few musicians are earning a living and chart hits have dwindled (although the recording industry is bullish). Ray Columbus waxes lyrical about ‘She’s a Mod’. Kevan Moore and Peter Sinclair are sanguine about TV’s role, a finger is pointed at radio airplay, and the careers of Craig Scott, Mark Williams, Sharon O’Neill and John Rowles are considered. The only thing not in short supply is blame.