Comedy legend David McPhail began making New Zealanders laugh in pioneering 1970s sketch show A Week of It, then he and Jon Gadsby moved on to McPhail and Gadsby. The two comedians also had big parts to play in sitcom Letter to Blanchy. Later McPhail starred as the appallingly politically incorrect teacher in Seven Periods with Mr Gormsby.
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
This collection of 40 classic Kiwi TV series offers up images spanning 50 years. The titles range from Gloss to Gliding On, from Olly Ohlson to Nice One Stu, from Ready to Roll to wrestlers. In this special backgrounder, Stuff's James Croot writes about favourite moments of Kiwi TV. The list is in rough chronological order of when each series debuted.
This collection celebrates Kiwi comedy on TV: the caricatures, piss-takes, and sitcoms that have cracked us up, and pulled the wool over our eyes for over five decades. From turkeys in gumboots and Fred Dagg, to Billy T, bro'Town and Jaquie Brown. As Diana Wichtel reflects, watching the evolution of native telly laughs is, "a rich and ridiculous, if often painful, pleasure."
November 2014 marks 25 years since New Zealand TV’s third channel began broadcasting. This 25th birthday sampler pack looks back at iconic drama (Outrageous Fortune), upstart news shows (Nightline), fresh youth programming (Ice TV, Being Eve) and comedy high watermarks (bro’Town, Jaquie Brown, 7 Days). As the launch slogan said "come home to the feeling!"
In the 2000s mockumentary realism (led by The Office) was making its mark in television comedy. Series The Pretender gave Kiwi politics the embedded camera treatment, with expat comedian Bob Maclaren playing overconfident property developer-turned-MP Dennis Plant. The first episode of the second series sees Plant cause political chaos, with the launch of his Future New Zealand party. This season was nominated for three Qantas TV awards in 2009, including best comedy. The show was created by Peter Cox (Insider’s Guide to Happiness) and Great Southern TV’s Philip Smith.
The debut episode of McPhail and Gadsby plunged into religion as the object of satire, and the result spawned death threats and annoyed letters to the editor. The pair dress up as angels, devils, monks, nuns, priests and Moses, and also make the first of many appearances as the smug Denny (McPhail) and not so clever Ron (Gadsby). McPhail argued later that a simple sketch involving an Anglican vicar dispensing communion unexpectedly caused the most offence. The thematic approach was soon abandoned in favour of shorter episodes, and a more familiar style of topical satire.
TV personality Jaquie Brown plays (and plays up) herself for delightful comic effect in this hit TV3 satire. Brown plays an egomaniacal reporter looking to climb the media ladder any which way she can. Auckland's aspirational set: a cast of Metro social page alumni and wannabes, are skewered with self-referential glee. The show won Best Comedy at the 2009 Qantas Film and TV Awards. This episode sees Jaquie striving to exit Woman's Day's 'Plump it Hottie' section, appropriating a tampon, and performing in a celeb singalong.
This teleplay from writer Greg McGee is a satire of prejudice and the market economy set in the grey, divisive atmosphere of early 1980s New Zealand. Kate Harcourt plays the proprietor of Dot's Terminal Cafe, a cantankerous spinster who rails against 'bludgers' and 'foreigners'. One rain-soaked Wellington night, her lumpen clientele decide to stage a small but telling uprising — with the help of a dead mouse. It screened in early 1982, following the breakout success of McGee’s confrontational take on Kiwi conformity: rugby player losing-his-religion play Foreskin’s Lament.
Director Peter Jackson's second feature Meet the Feebles offers even more bad taste than his debut. The irreverent, outlandish, part-musical satire is populated almost entirely by puppets, but it is by no means cute. The motley creatures are all members of a variety show that’s working up to a major performance. They include Bletch the two-timing pornographer walrus, an obese hippo femme fatale, a drug-dealing rat, and a heroin-addicted frog — in other words, something to offend everyone. Richard King writes about the creation of New Zealand's first puppet movie here.