NZ On Screen's Pacific Collection celebrates many things — many islands, many cultures, and the many Pasifika creatives who have enriched Aotearoa, by bringing their stories to the screen. The collection is curated by Stephen Stehlin, whose involvement in flagship Pacific magazine show Tagata Pasifika goes back to its very first season. In his backgrounder, Stehlin touches on sovereignty, diversity, Polyfest and bro'Town — and the relationship between Pacific peoples and Māori in Aotearoa.
Inspired by the mindbending tales of The Twilight Zone and the freedom of a low budget, Jonathan King's stylish yet “modestly budgeted" twister marks his first collaboration with novelist Chad Taylor. King regular Nathan Meister stars as a media executive whose confusions multiply after learning that a strung-out woman (Michelle Langstone) has his wallet. Ain't It Cool News founder Harry Knowles praised the film's canny visions of a future where others control our perceptions of reality. REALITi's five NZ Film Award nominations included Best Self-Funded Film and Screenplay.
Music video director Sam Peacocke's confronting first short film reimagines the events that took place around the robbery of a Manurewa liquor store in 2008, in which owner Navtej Singh was tragically murdered. The film takes a kaleidoscopic perspective on colliding South Auckland lives, notably in an — almost unbearably — tense hold-up scene. Largely shot with non-actors, the production was self-funded. The result was selected for the Melbourne and Berlin Film Festivals; at Berlin it won the Crystal Bear for best short in the Generation 14plus youth section.
Greenies meet The Castle in this 2014 film from first-time feature director Anton Steel. The Z-Nail Gang tells the story of locals joining to fight plans to dig an opencast goldmine in nearby bush — using nails in car tyres, Santa suits and a rap song, instead of monkey wrenches. The making of this down-home take on eco-activism was also a grassroots effort, with the film made by harnessing community support in the Bay of Plenty town of Te Puke. At the 2014 NZ Film Awards it was nominated for Best Self-Funded Film, and Best Supporting Actress (Vanessa Rare).
This self-funded feature follows the travails of Lexi (Request Ahomana), a young Pacific Island Kiwi cleaning for a bitter elderly woman, and struggling to find her identity in the town of Oamaru. A meeting with a young man (Dean Hanns) provides her with a prospective ride out of town — but obstacles on that road include the young man's past, the gambling addict sister she shares a flat with, and finding the courage to chase her dreams. Lexi marks the first feature film written, directed and produced by Wayne Turner. In the excerpt, Lexis argues with her sister.
Actor/director Taika Waititi teamed up with his Eagle vs Shark star Jemaine Clement for this mockumentary about life for a flat of vampires. Cameras follow the vamps as they struggle to get into Wellington pubs, squabble over chores and face off against werewolves. A roster of Kiwi comedic talent (including Jackie van Beek and lazy vampire Jonathan Brugh) feature. After winning fangtastic reviews at America's Sundance and SXSW festivals, Shadows won a run of global sales and four Moa awards, including Best Self-Funded Feature. It also spawned two TV series, and a live show.
In this odd couple tale set in the American west, Cohen Holloway (Until Proven Innocent, Boy) plays an outlaw who abducts an upper class Brit. Calamity ensues when the hardman fails to have his wicked way with her. The self-funded film screened at the Santa Barbara Film Festival, winning praise from critic Leonard Maltin. While Utu took the Western genre and applied it to NZ's colonial history, Good for Nothing mines South Island scenery for the first 'Pavlova Western'. Long-time Weta staffer Mike Wallis directs; and the rousing score is by composer John Psathas.
Overhearing his crush say she only likes “real island guys” is all it takes to get Adam (Neil Amituanai, in his big screen debut) packing his bags for Samoa, in this comedy by Stallone Vaiaoga-Ioasa (TV's Fresh). Shot largely in Samoa over two weeks, the self-funded film co-stars Samoan locals Vito Vito and Fesuiai Viliamu as Adam’s cousins, teaching him the basics of island life. Three Wise Cousins reached number eight at the NZ box office in its opening weekend, and continued to win solid audiences, despite minimal publicity. Stuff critic James Croot called it "colourful and charming".
The Great Maiden's Blush hinges on two people from very different backgrounds: a girl-racer in prison for manslaughter (Hope and Wire's Miriama McDowell), who plans to adopt out her baby, and a failed classical pianist (Renee Lyons) whose own baby is due for a risky operation. Each must confront their own secrets in order to move forward. Andrea Bosshard and Shane Loader's acclaimed third movie continues an interest in character-rich stories where "big themes play out in modest circumstances". It won awards for McDowell and Best Self-Funded Film at the 2017 NZ Film Awards.
Invited to compete in short film contest Tropfest NZ in 2015, Foreign Fields trains its eye on a Kiwi soldier in World War I, after he is wounded in no man's land. Shot in moody mud and khaki tones, David Gunson's film is a tribute to all who have fought in foreign lands. The self-funded short — which comes with a twist in the tail — was filmed for $3000, in just one and a half days.