For this lauded Seven Days assignment Ian Johnstone was the first NZ television reporter to travel to apartheid-era South Africa. In this episode (one of three) he finds a white minority clinging to power in the face of mounting violence and a sense of looming change. The limbo-like status of the mixed-race Coloureds stresses how untenable the regime’s policies have become; and demand for equality from black students is palpable. Interviewees include a defiant Prime Minister Vorster, author Alan Paton (Cry, the Beloved Country), journalist Donald Woods and activist Helen Suzman.
In 1976 Ian Johnstone became the first NZ TV journalist to visit apartheid South Africa. For this Feltex Award-winning report (one of three for Seven Days) he and a small crew strove — under the regime's close eye — to show apartheid's impact on blacks. Shots of Soweto, human rights meetings, and interviews (Bishop Tutu, students, campaigner Hector Ncokazi), undercut PM Johannes Vorster's case for separatism. Seeing Johnstone being denied service at a burger bar (he was with a black) unsettled Kiwi viewers, weeks before the All Blacks left for South Africa in mid-1976.
Journalist turned media trainer Allison Webber began in television at a time when women were more likely to be making the tea than making programmes. After working alongside names like Brian Edwards and Ian Johnstone, she became part of a new generation of women producers and directors who changed the shape of what went on air, especially with her ground-breaking documentary series Expressions of Sexuality.
This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
This collection brings together over 60 titles covering Kiwis at war. Iconic documentaries and films tell stories of terrible cost, heroism and kinship. There are also background pieces by historians Chris Pugsley and Jock Phillips, and broadcaster Ian Johnstone. Pugsley muses, "It is sobering to think that in the first half of the 20th Century the big OE for most New Zealanders was going to war."
This collection looks at some of New Zealand's most significant national tragedies. Spanning 150+ years, it tells stories of drama, caution, hope and recovery — from the 1863 wreck of the Orpheus at Manukau Heads, to Tarawera, the Wahine, Erebus, Pike River and Christchurch. In the backgrounder, Jock Phillips writes about the collection, and the "common sequence" to disaster.
Some of the great names of All Blacks rugby appear in this documentary, which was made before the 2003 World Cup. They tell the story of the highs and lows of New Zealand’s national game across a century of tours. From cruel violence in the early days to the skills of a top team in full flight, The Test provides the views of players, commentators and coaches. This excerpt concentrates on sometimes bruising encounters between the All Blacks and the Springboks, from the 1920s up to 1956. The Test was named Best TV Sports Programme at the 2003 Qantas Media Awards.
This episode of rugby series The Game Of Our Lives looks at the impact the sport has had on race relations in New Zealand. The country's history of rugby forging bonds between Māori and Pākehā is a stark contrast to South Africa's apartheid policy. Tries and Penalties focuses on the troubles between Aotearoa and South Africa — from coloured players George Nepia and Ranji Wilson being excluded from All Blacks tours to South Africa, to the infamous 1981 Springboks tour, and Nelson Mandela opening the 1995 Rugby World Cup final between the two teams.
This 1992 TV One documentary follows the All Blacks on their first post-apartheid visit to South Africa. The footy tour tomfoolery of producer Ric Salizzo’s earlier All Blacks docos is subbed off for reflections on politics and sport from players — including ex-All Black Ken Gray, who refused to tour the republic in 1970 and joined protesters in 1981. Not all goes to script for a “new South Africa”: the Afrikaans anthem is played before the Ellis Park test, and the All Blacks win. Future South Africa cricket star Herschelle Gibbs is a young coloured player mentored by the ABs.