In this highlights special culled from the first four years of Eating Media Lunch, presenter Jeremy Wells manages to keep a straight face while mercilessly satirising all manner of mainstream media. Leaping channels and barriers of taste, the episode shows the fine line between send-up and target. The 'Worst of EML' tests the patience of talkback radio hosts and goes behind the demise of celebrity merino Shrek; plus terrorist blooper reels, Destiny Church protests, Target hijinks, and our first indigenous porno flick (you have been warned: not suitable for children).
Fresh from the Edinburgh Fringe Festival, Flight of the Conchords headline this episode of the TV stand up comedy series with the creepily earnest 'If You're Into It' (guaranteed to lose all but the hardiest of new girlfriends) and their hip-hop folk opus 'Hiphopopotamus'. Host Brendhan Lovegrove explores the speech patterns of Southlanders, Andre King does his best to ensure he won't be invited back to Palmerston North, and Sully O'Sullivan reveals himself as a menace to small animals and moving vehicles (but with a possible future in survey research).
Occasional Heartland host Maggie Barry visits the Southland town of Gore, where she checks out horse-shoeing with the New Zealand Farriers Association, visits the local freezing works, and attends the legendary Gold Guitar country music awards (with performers including Suzanne Prentice). Not such a controversial visit to Gore by a TV crew as the one some years later by Havoc and Newsboy's Sell-Out Tour.
Former presenter Derek Payne returns to front the finale of this first (NZBC) run of the Otago-Southland local news show. A report on strippers aside, the emphasis in this ‘best of’ series cull is on (often Pythonesque) humour. Highlights include Kevin Ramshaw’s Sam Spade-style private eye hunting Noddy, Payne walking a famous imaginary dog, a search for news in Invercargill and a reporters’ bloopers reel. An era when newsroom staff were learning their medium in the public eye is evoked, and the opening weather report is a glorious look back at TV’s lo-tech past.
Tim Shadbolt’s amiable journey from protestor to politician has included many appearances before the cameras. Shadbolt has competed on Dancing with the Stars, climbed mountains in Borneo for Intrepid Journeys, and made cameo appearances in a number of movies (Utu, The World's Fastest Indian, the 2017 remake of Goodbye Pork Pie). He has also presented on The Project, That's Fairly Interesting and for 1981 graffiti documentary Writing on the Wall. In 2012 the longtime Invercargill mayor broke two world records, after completing a marathon 26 hour long interview on Southland’s former Cue TV.
After a long tenure as a newspaper journalist, Colin Hogg moved into television where he has worked as a writer and producer mainly on documentaries and arts programmes, initially with Greenstone Pictures, and now with his own production company 3rd Party Productions. Hogg was also a regular panelist on the TV ONE advice show How's Life?.
Though Michael Heath helped create a run of pioneering examples of the Kiwi cinema of unease, his contributions to our culture defy easy categorisation. His scripts include many films which have made a comfortable home between genres: children’s vampire tale Moonrise/Grampire, nostalgic Ronald Hugh Morrieson chiller The Scarecrow, Heath’s work with director Tony Williams, and his acclaimed song-cycle A Small Life.
Former stuntwoman Sara Wiseman went directly from performing arts school to acting in crime series Street Legal. She went on to star as Dr Nicky Somerville in 60 episodes of the popular Mercy Peak. On the big screen, Wiseman has starred in 2005 psychological thriller Luella Miller, taken the title role in Jinx Sister, and won awards for her parts in movie Matariki and TV's What Really Happened - Votes for Women.
Filmmaker and artist Gaylene Barnes has used her grab bag of skills on film sets, in editing suites, and as a painter and multi-media artist. Nominated for awards as both a production designer and an editor, Barnes has also directed everything from Hunger for the Wild to documentaries and animated shorts.
Jane Andrews founded Jam TV with Melanie Rakena in 2002. The partnership has resulted in a run of award-winning shows that brought fresh energy to local factual programming. Jam shows Off the Rails, South and the long-running Intrepid Journeys achieved high ratings and critical acclaim. In 2010 the Andrews directed and produced Radar's Patch won a Qantas award for Best Information/Lifestyle Programme.