In this cult surf film — this excerpt is the first seven minutes — Andrew McAlpine gets in the Chevy, chucks the longboard on the roof and follows a group of pioneering riders on a mission around New Zealand and Australian coastlines, from Piha to Noosa. Filmed from 1965 - 1967, the Kiwi Endless Summer evoked a laid-back era where the ride was the prize. The classic surfing scenes — some filmed from an onboard camera housed in a DIY perspex case — are scored to surf rock and interspersed with sunburnt, bikini-clad relics of 60s beach culture.
Winter is going. This impressionistic take on spring in Aotearoa focuses on details of regeneration, from the mountains to the sea. Director Ron Bowie and cameraman Grant Foster capture signs of the season: ice melt like tadpoles under snow grass, gannets nesting on their Cape Kidnappers tenement, fern koru unfurling, kōtuku and royal spoonbills perched in Ōkārito trees like Dr Suess characters, willow buds and kōwhai flowers. And of course, lambs and daffodils. The camera aptly obeys the title to end. Patrick Flynn (Don’t Let it Get You) composed the score.
In this episode of his long running series about the stars, astronomer Peter Read visits Matauri Bay on the East Coast to view preparations to monitor the only total solar eclipse visible in New Zealand in the 20th century. Read is shown a revolutionary camera that will be used to photograph the eclipse and he talks to an American expert about rockets that will be fired into the ionosphere to record it. Weather concerns are allayed and footage of the corona effect, when the moon is completely in front of the sun, is impressive even in black and white.
Set in Antarctica (and partly shot there), the science fiction tale sees a researcher (Crawford Thomson) dealing with unsettling events — traumatic personal news, isolation, disquieting “anomalous electrical readings”, and warping time. As newsreader John Campbell says in an intercepted transmission: “the speed of light is changing. Well, what does that mean?”. The title is from Hone Tuwhare’s anti-nuclear themed poem of the same name, but the film was inspired by Pat Rushin short story Speed of Light. It was an official selection at Edinburgh Film Festival.
Don McGlashan has won the prestigious APRA Silver Scroll award twice. In 2006 Miracle Sun gained him another nomination. McGlashan's lyrics evoke a mythical summer and directly reference Opo, the 'friendly' dolphin whose visits to Opononi in the mid 1950s became the stuff of Kiwi legend. The song's sweeping chorus is bittersweet, and a lap steel guitar adds a slightly mournful tone. The black and white video mixes National Film Unit footage of Opo charming holidaymakers, with shots of McGlashan and his band heading to the Hokianga and playing a gig for locals.
The video for this 1986 synth-pop song sees Everything that Flies singer Dianne Swann – seen in a changing palette of colour tones – striding on the waterfront past a Greenpeace ship; intense in a restaurant, after hours; and singing in a studio with the band. An early credit for music video director Kerry Brown, the clip won Best Video at the 1986 NZ Music Awards. Song trivia: the single’s sleeve won Best Cover, and was designed by future Oscar-winning costume designer Ngila Dickson. Swann would soon join female Kiwi supergroup When the Cats Away.
The Sun was perhaps the most daring and experimental video yet for directors Joel Kefali and Campbell Hooper. Collaborating once more with electropop band The Naked and Famous, they scored their second award for Best Music Video with another track taken from breakthrough album Passive Me, Aggressive You (2010). The widescreen video is built around a series of split second shots of a man and a woman getting intimate. As the video continues, the images fracture, multiply, and become increasingly kaleidoscopic. Warning — this video is not suitable for younger viewers.
Dragon's 'April Sun in Cuba' (from 1977 album Running Free) was originally released in Australia, where it charted at number two. New Zealand loved to hear Marc Hunter talking about Cuba and missile love too: in 1978, the song hit number nine. Later the Hunter/Paul Hewson composition made number 10 on the APRA list of Top 100 NZ Songs. This Aussie-made video, complete with footage of missiles, has the band in full big-hair rock star mode: a white-suited Marc Hunter gets in some high kicks while bassist brother Todd maintains his cool from behind his sunnies.
This collection celebrates all things equine on New Zealand screens. Since the early days of the colony, horses have been everything from nation builders (Cobb & Co) to national heroes (Phar Lap, Charisma) to companions (Black Beauty) to heartland icons. Whether work horse, war horse, wild horse, or show pony, horses have become a key part of this (Kiwi) way of life.
It's the holidays: time to let your hair down, have a swim, give in to your appetite...and have a boogie. From Kings to The Clean, from 'Ten Guitars' to 'Trippin', let NZ On Screen supply the music, with this epic playlist of classic Kiwi party songs. In the backgrounder, music fan and publicity maestro Nicky Harrop takes us through the tracks, before bidding adieu to NZ On Screen.