Don McGlashan has played drums, horns, guitars and PVC pipes, created memorable songs with Blam Blam Blam, The Mutton Birds and as a solo artist, and won a run of awards for his soundtrack work. As Nick Bollinger puts it in this backgrounder, his songs are good for occasions big and small. 

The Lounge Bar marks the second film by legendary music/theatre group The Front Lawn, which began as Don McGlashan and Harry Sinclair. The plot: two men and a woman (Lucy Sheehan) meet at a deserted bar. Pivoting on amnesia and woven together by music, two time frames are seamlessly combined and a darkly humorous plot unfolds. The film got wide global release (including Ireland, Germany and the USA). It was a finalist in the first American Film Festival. McGlashan later formed band The Mutton Birds; Sinclair continued as a filmmaker.

This classic short film provides an unusual showcase for Don McGlashan and Harry Sinclair, the founders of musical theatre group The Front Lawn. The slice of life narrative unravels like a baton relay; the duo play every character,  revolving around pedestrians on Auckland's Karangahape Road. Walkshort was directed by editor Bill Toepfer. Sinclair went on to do some directing of his own (Topless Women Talk about their Lives), while McGlashan would pay musical tribute to another famous Auckland street, Dominion Road. Costa Botes writes about Walkshort here.

Performance group The Front Lawn (Don McGlashan, Harry Sinclair, and later arrival Jennifer Ward-Lealand) stretched all of their prolific talents for their final, 24 minute short film. After he whistles a certain tune, Ben (McGlashan) finds that his partner Linda (Ward-Lealand) no longer seems to be conscious. Then things get stranger: Linda catches up with an old lover (Sinclair) and faces a life-changing dilemma, while her body — awol with a tennis player on Tamaki Drive — has other plans. The surreal romance was made for TVNZ. It won Best Short at the 1990 NZ Screen Awards.

Jock Phillips begins his journey through our Waitangi collection by recalling an awkward encounter with a security guard at the treaty grounds. Wandering 50 years between the first film in this collection and the last, Phillips explores changing attitudes to the Treaty. Discover everything from Mike King on the treaty trail, to trench warfare, waka-building and epic drama.

Former Blam Blam Blam, Front Lawn and Mutton Birds member, Don McGlashan takes time out from making his first solo album to talk about songwriting in this episode from a series made for high school music students. McGlashan is passionate in exhorting his audience to write their own songs and make their own voices heard. Acoustic versions of his classic 'Dominion Road' (written about a neighbouring street) and another Mutton Birds number 'White Valiant' (based on a dream) underline his enthusiasm for writing about immediate surroundings, not faraway places.

Don McGlashan began his career as a restless teenage French horn player. He started to thrive in the post-punk era, writing iconic songs with Blam Blam Blam, mixing theatre and music with The Front Lawn and composing for film and TV, before forming The Mutton Birds in 1991. This episode of Sunday traverses McGlashan's life as he launches his belated solo career. Friends like Dave Dobbyn and Mike Chunn wax lyrical about McGlashan's talents, and snippets from his 2003 Auckland Festival show at the St James Theatre demonstrate why he is so beloved in Kiwi music history.

In this episode of Talk Talk musician Don McGlashan discusses politics, growing up and the art of communicating emotions and ideas, with journalist Finlay MacDonald. The Talk Talk host starts by asking McGlashan to explain how he managed to offend Kiwi seafood lovers across the country with a political analogy during the 2008 general election. Then the pair explore McGlashan's early inspirations and musical development. McGlashan finishes with a live rendition of his 2009 single 'Marvellous Year', complete with accordian, theremin and strings.

This Artsville TV documentary plucks its way through a Kiwi-focused history of the ukulele, from Waikiki to Wellington, using the dream of “godfather of Polynesian music” Bill Sevesi as its starting point: namely “that the children would be playing the ukulele all over the country.” Presenter Gemma Gracewood (of the Wellington International Ukulele Orchestra) reveals the instrument’s Pacific adoption and burgeoning popularity, and meets acolytes of ‘the uke’: from Herman Pi’ikea Clark to Jennifer Ward-Lealand, to Sevesi strumming with onetime pupil Sione Aleki.