This three-part documentary series was made to mark International Women's Year in 1975; it provides rare and precious interview footage with three of New Zealand's most celebrated writers; Sylvia-Ashton Warner, Janet Frame and Dame Ngaio Marsh; who each reflect on their life and philosophy. In the case of Ashton-Warner and Marsh, these documentaries were filmed in the last decade of their lives. Three New Zealanders was produced by John Barnett for Endeavour Films.
Three New Zealanders was a documentary series that looked at the lives of three of NZ's most celebrated writers: Sylvia-Ashton Warner, Janet Frame and Dame Ngaio Marsh. Produced by Endeavour Films (John Barnett), the final chapter of this three-part series centres on internationally acclaimed crime-writer and Shakespearean director Dame Ngaio Marsh. It contains an interview with Marsh in her later years, interspersed with comments from former students and friends, and re-enactments from her novels (with the Blerta crew as players, and John Bach as Hamlet!).
As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise.
In the theatre world of the 70s and 80s, playwright Mervyn Thompson was an outspoken figure. He wrote, directed, and acted in theatre that presented New Zealand working class history and experience. This doco features a rare interview with Thompson before he died in 1992, as well as footage from his last work Passing Through (1991). Thompson discusses his upbringing on the West Coast of the South Island, his approach to theatre, and alludes to some of the controversies that beset his career.
This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.
Auckland's Massive Company began in 1998 as a youth theatre group, committed to developing multi-cultural talent. Sons for the Road records a big moment in their evolution: performing at London's Royal Court Theatre, whose long history includes launching another piece of cross-cultural fertilisation, The Rocky Horror Picture Show. The play the company is performing is The Sons of Charlie Paora, a tale of rugby players and troubled male identity developed by Massive, and Brit writer/actor Lennie James. The Independent called the play "wonderfully engaging".
This National Film Unit film visits Christchurch roughly four years before the main event, to promote the city’s readiness to host the Commonwealth Games. A comical potted history of New Zealand precedes a montage of young women cycling around Canterbury environs and a split screen catalogue of NZ tourist attractions, before getting into a survey of the venues. As the opening demonstrates, “there’s always a traditional welcome awaiting our friends!” In 1973 the NFU completed a second film called Christchurch 74, before covering the games themselves in the feature-length Games 74.
This 1978 National Film Unit documentary provides a potted history of non-British settler groups that came to New Zealand from Europe. Archive material and narration covers the colonials; then visits are paid to the German-descended Eggers, tobacco growers from Moutere, and newly arrived French bakers and Dutch dairy farmers. Aptly for a film directed by actor and vintner Sam Neill, the film drops in on an Italian play and the Babich family of Dalmatian winemakers. Neill worked at the NFU in his 20s, about the time of his breakout role in Sleeping Dogs (1977).
This consolidating episode of the archive-based New Zealand history series finds World War II at an end, the return of Kiwi servicemen and the country in an optimistic mood. That's sealed by the 1950 British Empire Games where New Zealand is third on the medal table. But rising prices and low incomes lead to more militant unionism, culminating in the fractious waterfront workers dispute of 1951. At the same time there's a new flowering of the arts. The New Zealand Symphony Orchestra is established and a new generation of writers and artists take centre stage.
The Art of Recovery sets out to document "one of the most dynamic, creative and contentious times in the history of Christchurch". Director Peter Young (The Last Ocean) examines a post-quake city where creativity thrives among the rubble: from street art to dance spaces, to the beloved 185 Empty Chairs Memorial. But will the spirit of community and creativity survive the redesign? The Art of Recovery won raves after its 2015 NZ Film Festival premiere at Christchurch's recently restored Isaac Theatre Royal. Stuff reviewer James Croot called the result "kinetic, interesting and inspiring".