Crooner Marlon Williams has called 'Vampire Again' "my own demented tale of New Age self-affirmation". The song was born after he discovered he was the only person to dress up as a vampire for a screening of 1922 horror classic Nosferatu. Williams directs the music video; his portrayal of dance fiend and comical bloodsucker reflects his belief that good material can be found in the tension between serious and foolish. The video was shot and cut by veteran music photographer Steve Gullick (Nirvana). It won Best Music Video at the 2018 Vodafone NZ Music Awards.
Michael Heath's imagination has spawned movies bursting with murder and mayhem, as well as lyrical tales of childhood and unheralded artists. Heath's work ranges widely – some of his films are lyrical, comical and murderous all at the same time. His scripts include two contenders for New Zealand's first horror film (Death Warmed Up and Next of Kin), plus an affectionate adaptation of Ronald Hugh Morrieson classic The Scarecrow, which was the first Kiwi movie invited to the Cannes Film Festival. In recent years Heath has blossomed from writer into director.
In 1865, Wellington became the Kiwi capital. In the more than 150 years since, cameras have caught the rise and fall of storms, buildings, and MPs, and Courtenay Place has played host to vampires and pool-playing priests. Wind through our Wellington Collection to catch the action, and check out backgrounders by musician Samuel Scott and broadcaster Roger Gascoigne.
This National Film Unit short captures the action with the RNZAF’s 75 Squadron aerobatic team. The pilots, all in their early to late 20s, fly their de Havilland Vampire jets through low and high altitude manoeuvres. NFU cameraman John Hutchinson squeezed himself and his camera into the cockpit for 14 flights over five days, to capture spectacular images from a fifth Vampire piloted by Flight Lieutenant Barry Gordon. The team was formed in 1958 for the RNZAF's 21st Anniversary Air show at Ohakea. It then toured New Zealand, giving displays at all the major airports.
Roughly four years after debuting on A Haunting We Will Go, Count Homogenized made a memorable re-entrance in his own series. This fifth episode has the simplicity of a good cartoon: disguised as a movable charity bin, the vampire endeavours to trick or talk his way past the local dairy owners, on his endless mission to make it to the milk supplies. Aside from Russell Smith in full comic flight as the Count, Lynda Milligan takes the New Zild accent in dramatic new directions as no-nonsense shopkeeper Rhonda Dearsley.
The subject of this interview is Greg Rodgers, a Flight Sergeant in the RNZAF in Vietnam and Malaya. Rodgers joined the air force after college, and trained as a mechanic. He talks about the bond between ground crew and pilots, and the responsibility of having a pilot’s life in his hands at age 18. Rodgers also mentions off-duty good times (including jumping from choppers into the sea, before being wet-winched up again) and reflects on bad times after returning to civilian life: official neglect ("there was no support"), and the shock of leaving his Air Force "family".
While visiting family down under, American teen Lonny catches up with his grandfather, a man with an infectious giggle, a thirst for adventure — and two vampire-sized incisors. Released locally as Grampire, this family-friendly adventure combines local names (among them future Pluto singer Milan Borich) with a winning turn as nice guy vampire by American Al Lewis (cult series The Munsters). Director David Blyth was won over by Michael Heath’s script because it reversed convention, and “was a plea for children to be allowed to keep and develop their imaginations”.
The immortal Count Homogenized, a vampire with a white afro and cape and a lust for milk, lodged himself in the hearts of a generation of Kiwi kids. After first portraying the vampire in A Haunting We Will Go, actor Russell Smith took centre stage in 1983's It is I Count Homogenized. This follow-up series transfers proceedings from the haunted house trappings of the original to a suburban dairy, where Homogenized continues his mission to get his teeth into what matters: the milk. Trivia: the series was made in association with the NZ Milk Promotion Council.
Count Homogenized, the vanilla-clad vampire with a lust for milk made his debut on this ghost-flavoured children's series, before moving on to star in his own show. Russell Smith's portrayal of the mischievous The Count has lodged itself in the hearts of many Kiwi kids of a certain vintage and has become an — absolute original — icon of NZ TV. True Blood has nothing on The Count and his unending search for bovine liquid sustenance!
Long before he became the stuff of nostalgia and t-shirts, Count Homogenized debuted on this pilot episode of A Haunting We Will Go. Made in 1977 but unscreened till 1979, this pilot follows Major Tooms and his long-suffering butler as they take the audience on an extended tour of their haunted house. In the second half, scene-stealing Homogenized (Russell Smith) appears, a vampire whose raison d'etre - an endless quest for milk - proves as ridiculous as it is delightful.