Delirium is 2019's winning entry in ScreenTest, NZ On Screen's school filmmaking competition. The short film explores the state of mind of Clark (Thomas van Tilborg), a schizophrenic who descends into dark places after he stops taking his medication. ScreenTest judge Paul Yates (Wellington Paranormal) called Delirium "an assured wee horror film by someone who clearly loves the horror genre", and praised it for making the viewer question the reality of what they were seeing. Tom Field wrote and directed the film as a year 13 student at Auckland's Kristin School.
'Sui generis' is a Latin expression meaning "the only example of its kind, unique". This second edition of the anthology web series explores romantic life for Auckland’s LGBTQIA+ community in the second decade of the 21st century. Each episode is stand-alone and ranges in location from fancy dress parties, to Grindr hook-ups – "the connective tissue of each story is technology, apps and dating." These three episodes range from a tender romance which contains a surprise, to dating as dance routine, to a quirky encounter at a party. Warning: contains adult themes.
The founding member of Oscar-winning special effects house Weta Digital, George Port laboured for seven months solo on the digital effects for Peter Jackson’s Heavenly Creatures. He went on to found Auckland effects company PRPVFX, which has supplied special effects for Xena: Warrior Princess, Rain of the Children and Green Lantern.
After managing to introduce drama and dance into his post WWII films for the National Film Unit, filmmaker Michael Forlong spent the remainder of his career directing features in Europe. In 1972 he returned to New Zealand to shoot children's tale Rangi's Catch, discovering actor Temuera Morrison in the process.
A passionate advocate for Māori creative control, director Merata Mita (1942 — 2010) chronicled landmark moments of protest and division in Aotearoa. Her work included Patu!, a documentary on the 1981 Springbok tour, and Mauri (1988), only the second feature to have a Māori woman as director. She features in documentaries Merata: How Mum Decolonised the Screen and Merata Mita - Making Waves.
Though Michael Heath helped create a run of pioneering examples of the Kiwi cinema of unease, his contributions to our culture defy easy categorisation. His scripts include many films which have made a comfortable home between genres: children’s vampire tale Moonrise/Grampire, nostalgic Ronald Hugh Morrieson chiller The Scarecrow, Heath’s work with director Tony Williams, and his acclaimed song-cycle A Small Life.
Russell Campbell has been analysing film and television for more than four decades. A longtime lecturer in film at Victoria University, Campbell’s books include Observations, a volume on New Zealand documentary — a field in which he has extensive first-hand experience.
Mike Westgate began working in sound in his native England. Since moving to New Zealand in the 1970s, he has contributed his skills to documentaries, drama series, and more than 20 features, and passed them on to a new generation, both on film sets and as a guest tutor at South Seas Film & Television School.
Alongside partner Shane Loader, Andrea Bosshard makes and distributes films through indie filmmaking initiative Torchlight Films. Dominion Post critic Graeme Tuckett called the pair's second feature Hook, Line and Sinker “likeable, admirable and hugely enjoyable”. Third feature The Great Maiden's Blush was released to acclaim — and awards — in 2016.
Since the 1970s John Barnett has brought a host of uniquely Kiwi stories to local and international screens, from Fred Dagg and Footrot Flats, to Whale Rider, Sione's Wedding and Outrageous Fortune. As boss of production company South Pacific Pictures for 24 years, he was a driving force behind some of our landmark television dramas and feature films.