Arts Icon Geoff Murphy is the trumpet-player who got New Zealand yelling in the movie aisles. His road movie Goodbye Pork Pie was the blockbuster hit of the NZ film renaissance, and he completed an unsurpassed triple punch with Utu and Bruno Lawrence classic The Quiet Earth. From student heists to hobbits this collection pays tribute to the laconic wild man of Kiwi film.
This Richard Riddiford documentary collects together stories about the creative writing course at Victoria University. The storytellers are a roll call of names who have studied and taught there, from course founder Bill Manhire to current Insititute of Modern Letters director Damien Wilkins. Writers praise the gentle style of teaching and sense of community (and feedback). Eleanor Catton talks about the journey from her first novel The Rehearsal, written while at Victoria, to the first sentence of The Luminaries. The doco is named after the poem by American Wallace Stevens.
In this 1987 Radio with Pictures excerpt, visiting English singer Billy Bragg performs a song in the Victoria University Student Union Hall. The Bard of Barking is intercut with Wellington street scenes: pensioners, punks, and pigeon feeding in a pre-bus lane Manners Mall. From the Workers Playtime album (1988) Bragg’s Valentine’s Day song is far from a Hallmark card, with droll rhyming couplets telling of a bruised, but defiant lover: “For the girl with the hour glass figure time runs out very fast / We used to want the same things but that's all in the past.”
Host Richard Driver introduces this short Radio With Pictures segment on the “band that made Milwaukee famous”. For the Violent Femmes it’s a long way from Wisconsin to Wellington. RWP hands control of the camera to the band: after goofing around in the ivy in front of Victoria University’s Hunter Building, the Femmes are presented with their first gold record in a nearby graveyard (New Zealand is “obviously a country with a high level of taste”). The first Femmes break up occured the following year. The band's cover of T. Rex classic ‘Children of the Revolution’ plays on the soundtrack.
This film records the devising of a “work in progress” by theatre director Ashley Thorndyke (Jason Hoyte). The concept — by Duncan Sarkies (Two Little Boys, Scarfies) — mocks the gamut of thesp and drama school cliches: from ‘wanky’ director to wacky warm-up exercises (animal impersonations, primal screams, Love Boat theme song). Peter Burger, fresh out of Broadcasting School, co-directs, and the willing cast is drawn from the 90s Wellington theatre scene orbiting around Bats and Victoria University. Future Conchord Jemaine Clement memorably learns to get loose.
English activist songwriter Billy Bragg chats with Dick Driver in this interview, shot in a pre-bus lane Manners Mall in Wellington, for TVNZ’s 80s rock show. They have unlikely company in the form of Alice, an elderly passerby, and the affable Bard of Barking happily includes her in the conversation. With a rare Top 10 hit single on his hands, he discusses commercialism, his brief army career and writing both love songs and political songs. A pre-concert performance of his ‘Days like These’, recorded at Victoria University, bookends the interview.
Ken Bliss’s brief description of his father’s service in the Boer War is just one of the stories that make this interview essential viewing. Ken’s own military career began when he was called up at 18, in 1941. Too tall to be a pilot in the RNZAF, he became a radio mechanic and served in the war against the Japanese in the Pacific. Forming a surf lifesaving team on Bougainville to rescue American servicemen who couldn’t swim was an unexpected wartime duty. And having survived the war, a missed train in 1953 meant Ken also survived the Tangiwai disaster.
The often controversial beliefs of Sir Lloyd Geering, New Zealand’s best known theologian, are examined in this Top Shelf doco. In this excerpt, he visits Jerusalem to advance his view that the resurrection of Jesus should not be interpreted literally. Forty years earlier, this assertion divided the Presbyterian Church (where he was Principal of Knox College) and led to his heresy trial on charges of “doctrinal error and disturbing the peace of the church”. There is archive footage of an unrepentant Geering from the two-day trial which the NZBC televised live.
In this 1973 current affairs interview, Albert Wendt discusses his first novel Sons For the Return Home on the occasion of its publication. The Pacific Island Romeo and Juliet tale was a seminal exploration of Samoan migrant life in NZ. Wendt muses on the inspiration for his work; facing discrimination at school and from girlfriends' parents; the differences between NZ Samoans and Samoan Samoans; returning ‘home’, and the difficulty of finding the solitude to write in Samoa. Maurice Shadbolt praises the book at its launch; it was adapted into a film in 1979.
Solo mum Leeanne Rosser (Kate Elliott) is rejected by her Christian mother. She tries to stay close to her brother Brent, unaware of his secret life as a thief. One day a burglary goes wrong, and a woman is badly injured. The incident causes repercussions for all the members of the two families, and relationships begin to fracture. Based on Maurice Gee novel Crime Story, Fracture's release was delayed by the collapse of director Larry Parr's production company Kahukura in 2002. The Press called Fracture "competent, confident and complex".