Pre-dating Peter Jackson's arrival (Bad Taste) by three years, New Zealand's first horror movie sees Michael Hurst making his movie debut as he fights mutants (including Bruno Lawrence) on Waiheke Island. Hurst's character is out to avenge the mad scientist who forced him to kill his parents. A grand prize-winner at a French fantasy festival (with cult director Alejandro Jodorowsky on the jury), David Blyth's splatterfest marked the first of many horrors funded by the NZ Film Commission. It was also the first local showcase of the smoothly-flowing Steadicam camera.
Forget who shot JR or what was under the hatch ... where were you when Thingee's eye popped out, 'O' was for 'awesome', or Bob "stormed out of the bracken like a yeti" to bop Rod in the 'Tumble in Taupō'? From Wainuiomata to Guatemala this Top 10 presents the most viewed clips from the previous NZ On Screen Legendary Moments collections (in descending order).
This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
Launched on 5 April 1976, Winners & Losers heralded a new age in Kiwi screen drama. Indie talents Roger Donaldson and Ian Mune based their tales of success and failure on New Zealand short stories, after managing to negotiate funding from various government sources. Then the pair took the series to Europe, proving there was strong overseas demand for Kiwi stories. In the backgrounders, Mune recalls the show's origins. There are also pieces on its place in local screen history, and its 2018 restoration. Plus watch two video interviews on the series.
Arm yourself with jaffas and get set for debate: NZ On Screen has gone out on a limb and selected an all-time NZ feature film Top 10. Starring the icons of the Kiwi big screen — Blondini, Ada, Beth, Boy. Whet your appetite for our finest features via choice 10-minute excerpts of the movies. Cook the man some eggs, we're taking this Top 10 to Invercargill!
New Zealand filmmakers have won an international reputation, thanks to their knack for horror. Along the way they have won major acclaim (Braindead, Housebound, The Ugly ) and occasional arguments as to what actually counts as horror (Braindead, Under the Mountain, Trail Run). Early entries — starting with the mutant shenanigans of Death Warmed Up — were often of the splatter variety, laden with gorey moments. This collection of Kiwi Horror also finds room for varied vampires, and uglies inspired by Frankenstein, Margaret Mahy...and milk.
The primetime current affairs interview is the heavyweight contest of screen broadcasting. They can woo hearts and minds, speak truth to power, turn elections, end strikes, enrage or reveal subjects, and enshrine or tarnish reputations. This collection puts the spotlight on iconic Kiwi contributions to the genre, from headline-making clashes (Muldoon versus "smart alec" Walker, Clark versus "sanctimonious little creep" Campbell, Pilger versus "just read" Hill, Conner versus Holmes) to warmer encounters (David Frost charmed by Big Norm Kirk, Paul Holmes bemused by the Ingham twins).
Though it plays hell with cameras, Antarctica has long fascinated filmmakers. This hour-long National Film Unit documentary was assembled from a five-part TV series of the same name. There are looks at scientific research, early explorers, and Antarctica's affect on global climate. Made four decades ago, the programme warns of a possible "new and potentially dangerous warming period", and calls the greenhouse effect a "controversial scientific theory". The large cast includes penguins, a seal birth (clip two) and a heavyweight team of Kiwi scientists.
Procrastination and denial taken to absurd lengths hammer home a point about global warming in this technically ambitious black comedy. A family living in a gully are too wrapped up in their own worlds to heed impending doom. Daughter Mary (seven-year-old Paige Shand-Haami) is the only one who sees the future. Water was shot over 14 days — with cast and crew spending 10 of them waist deep in water — on a set in a Wellington swimming pool. It was directed by Chris Graham, and partly funded from a SPADA Young Filmmaker Award won by producer Karl Zohrab.
This film records the devising of a “work in progress” by theatre director Ashley Thorndyke (Jason Hoyte). The concept — by Duncan Sarkies (Two Little Boys, Scarfies) — mocks the gamut of thesp and drama school cliches: from ‘wanky’ director to wacky warm-up exercises (animal impersonations, primal screams, Love Boat theme song). Peter Burger, fresh out of Broadcasting School, co-directs, and the willing cast is drawn from the 90s Wellington theatre scene orbiting around Bats and Victoria University. Future Conchord Jemaine Clement memorably learns to get loose.