This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade  — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.  

From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.

This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.

This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire." 

Stéphane Le Goff and Frédéric Khan's documentary is an intimate first-person journey through the life and times of the late All Black icon — charting a meteoric rise from an abusive Māngere childhood to his arrival as rugby’s first international superstar, while managing a rare and serious kidney disorder. This excerpt reveals Lomu’s readiness on the eve of his devastating performance against England in the 1995 World Cup, with English fullback Mike Catt offering his recollection of that try. The 90-minute documentary debuted in NZ on Sky, and later screened on Māori Television.

This fourth episode in Prime’s series on Kiwi television history series charts 50 years of sports on TV. Interviews with veteran broadcasters are mixed with clips of classic sporting moments. Changes in technology are surveyed: from live broadcasts and colour TV, to slo-mo replays and CGI graphics. Sports coverage is framed as a national campfire where Kiwis have been able to share in test match, Olympic, Commonwealth and World Cup triumphs and disasters — from emotional national anthems and inspirational Paralympians, to underarm deliveries, snapped masts and face-plants.

This final edition of the 1992 celebration of New Zealand Rugby runs from grand slam success to the cusp of the professional era. But in-between, rugby and politics combusted. When the Springboks, representing apartheid South Africa, toured NZ in 1981, barbed wire, flour bombs and riot police were match fixtures. Kiwis were either for or against. The tour’s aftermath and public disillusionment with the sport found relief in 1987, when the All Blacks won the first Rugby World Cup; three undefeated years followed. Three NZRFU centennial tests close the series.

This long-running chat show gathered a loyal following for its recipe of sports fandom mixed with playful pratfalls. Regulars in the circus wrangled by producer Ric Salizzo included larrikin ex-All Black Marc Ellis, straight girl Lana Coc-Kroft, 'That Guy' Leigh Hart, and Graeme Hill. This 23 November 2005 final features plenty of sporting guest stars and ‘best of’ moments: from World Nude Day to a litany of laddish moments from Ellis. Rumours of presenter intoxication would only have been stirred by the mayhem of the closing set destruction, accompanied by band The Exponents.

Toyota launched its classic Welcome to Our World campaign in late 1989, to support the company's sponsorship of the upcoming Commonwealth Games and the Sesqui 1990 festival. This version was put together for the 1995 America’s Cup and Rugby World Cup. But there is minimum product placement in the heart-warming montage of Aotearoa landscapes and people, set to country singer John Grenell’s baritone take on the Jim Reeves song. The Geoff Dixon-directed campaign ran for a decade; the song topped the Kiwi charts when it was released in early 1990.

This pre-Rugby World Cup 2007 interview follows All Black fullback Mils Muliaina as he revisits the grounds of his alma mater, Southland Boys High in Invercargill (Mils is one of 21 All Blacks from Southland Boys). He talks about his family’s migration from Samoa to Invercargill, and heads south to Bluff to score some oysters with the film crew. Muliaina also talks about finding out via the six o’clock news that he was in the All Blacks, recalls the game he remembers most fondly, and discusses his fondness for rolling his rrrs.