NZ On Screen's Pacific Collection celebrates many things — many islands, many cultures, and the many Pasifika creatives who have enriched Aotearoa, by bringing their stories to the screen. The collection is curated by Stephen Stehlin, whose involvement in flagship Pacific magazine show Tagata Pasifika goes back to its very first season. In his backgrounder, Stehlin touches on sovereignty, diversity, Polyfest and bro'Town — and the relationship between Pacific peoples and Māori in Aotearoa.
This headline-grabbing 1979 documentary examines inequality via interviews with an unemployed student, a young widow and a Porirua family of eight; plus visits to a Fijian village and a Hong Kong housing estate. The film's arguments that business and government monopolies had caused poverty in “egalitarian New Zealand”, and that NZ trade practices had added to it elsewhere, displeased Prime Minister Robert Muldoon. State television refused to screen the Greg Stitt-directed documentary; CORSO, the charity who commissioned it, was removed from the government’s funding list.
Designed to inspire school leavers to find their career, Pathways sees a selection of young New Zealanders talk about their job paths. The pilot episode of this 1994 Careers NZ resource is bookended with a 'mini-drama' about young people flatting together, which includes some familiar faces. Karl Urban plays lazy surfer Wayne, while Robbie Magasiva is the sales assistant whose plans of climbing the career ladder go awry. Marcus Lush plays a DJ who links a series of interviews with people either working or training. Later Lush interviews experts on youth employment prospects.
TVNZ focused on contemporary urban issues in New Streets as a counterpoint to its epic Landmarks documentary series which charted NZ’s historical development. Over three episodes, Neil Roberts examined the rapid growth of South Auckland, the spotlight was placed on an arts employment scheme for disadvantaged Mangere youth, and writer Albert Wendt provided a personal perspective on how the traditional values of his Samoan community were coping with Auckland’s urban pressures. New Streets screened in Lookout, TV1’s early 80s local documentary slot.
British-born Malcolm Hall moved from newspaper journalism into television, after emigrating downunder. Since then his career as a producer and director has seen him helming current affairs, comedy, children's TV, and varied documentaries which have screened around the globe. At the turn of the millennium, Hall began making television for company NHNZ.
Bernie Allen, QSM, was a professional musician and teacher before beginning his TV career as musical director of popular 60s show C’mon. He continued on to Happen Inn, followed by a vast number of shows as composer or music director over the next two decades. His score for Hunter’s Gold won an APRA Silver Scroll; his arrangement of ‘Hine E Hine’ accompanied the classic Goodnight Kiwi animation.
Dave Gibson is one of New Zealand's most experienced producers. Under his command, company Gibson Group made programmes for local and international audiences for over three decades. In 2012 Gibson was made an Officer of NZ Order of Merit for services to the screen industry; in 2014 he sold his shares in Gibson Group, and began a four-year stint as Chief Executive of the NZ Film Commission.
Spending 13 years in one job is a very long time these days, so imagine the pressure of commissioning TVNZ shows for all that time. Kathryn Graham did just that across a diverse portfolio of programmes. The former television director was TVNZ's first Commissioning Editor of Māori and Pacific content, and the first Kaikotuitui Rangapu (Programme Commissioner) at Māori Television.
Shane Loader has credits as editor, cameraman, producer, and writer/director (including Clermont-Ferrand selected short The Terrorist). Since 2008, alongside partner Andrea Bosshard, he has begun making and distributing feature films through filmmaking initiative Torchlight Films. The pair's third feature The Great Maiden's Blush won acclaim when it was released in 2016.
Janine Morrell-Gunn is one of New Zealand's leading children's television producers. She began her TV career in 1985 as a trainee director and producer at TVNZ, working on programmes such as Spot On and Fast Forward. Morrell-Gunn spent seven years as executive producer of TVNZ's Children's Unit. In the late 1990s she formed Whitebait Productions (now Whitebait Media) with her husband Jason Gunn.